Lippincott's Magazine of Popular Literature and Science, Vol. 22, November, 1878Various
History
Lippincott's Magazine of Popular Literature and Science, Vol. 22, November, 1878
Various
Literature, Modern -- 19th century -- Periodicals; Science -- Periodicals
Victor Hugo is very hospitable, and delights in having three or four
friends to dine with him, but his appetite, though healthful, is neither
very great nor very dainty: he prefers plain food and drinks only light
claret habitually. He is a very early riser, and on fine spring or
summer mornings he may often be met at six o'clock taking a stroll in
the Champs Élysées. Of his fondness for riding on the tops of omnibuses
I have already spoken. These long rides, when he traverses Paris from
one end to the other, are his periods of composition. He sits plunged in
a profound reverie, with vague eyes gazing unseeing into space. So well
are his moods understood by the conductors and habitual travellers on
those lines that he is always left undisturbed. Sometimes the greater
part of the day will be passed in these excursions, nor does any
severity of the weather ever daunt the aged poet. Yet with all the quiet
simplicity of his habits his daily life has not escaped the shafts of
calumny. The Bonapartist press declared that he was a drunkard who used
often to be picked up insensible from the floor of his own dining-room.
He has been called an assassin because of his sympathy with the
proscribed Communists, a madman because of his enthusiastic and
impassioned utterances, and he has been said to be a hunchback whose
deformity was dissimulated by the skill of his tailor.
Any sketch of the poet's home-life would be incomplete did I not touch
on his passionate fondness for his grand-children, the two little beings
whose prattle and caresses lend a charm of peculiar sweetness to the
waning hours of that illustrious career. For them the world-renowned
genius is but the most loving and tender of grandfathers. Their games,
their studies, their baby caprices, sway the actions of that grand
personality as the zephyrs ruffle the surface of the summer ocean. The
creator of _Marion Delorme_ excels in manoeuvring a puppet-show and in
getting up plays on a dolls' theatre. The author of _Les Miserables_
often lulls these little ones to sleep with improvised tales of
wonderful fascination. For their sakes he becomes a sculptor and moulds
in bread-crumb most marvellous pigs with four matches for legs. They it
is who know best the almost feminine tenderness, the wellnigh maternal
love, of which that powerful nature is capable.
Public-domain text, read in full here on John Shaqi.
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