Lippincott's Magazine of Popular Literature and Science, Vol. 22, November, 1878Various
History
Lippincott's Magazine of Popular Literature and Science, Vol. 22, November, 1878
Various
Literature, Modern -- 19th century -- Periodicals; Science -- Periodicals
_Molly Bawn_ disarms criticism by its exuberant gayety, its lusciousness
of description, its imperturbable good-humor and self-satisfaction, and
its utter absence of responsibility. What can an auld _critic_ do wi' a
young _book_? And such a very young book!--so full of sweets and
prettinesses, of audacious coquetries, and of jokes delivered with such
a simple and fatuous joy that the meed of our laughter cannot be denied
them! If we were to suggest that there is rather a surfeit of these good
things, our objection would be liable to be set aside as the acrid
cavilling of one whose taste for sweetmeats has been vitiated by
dyspeptic tendencies. We can only recommend the book with hearty
good-will to those whose sweet tooth still preserves its enamel,
congratulating them upon the acquisition of a novel which may be read
without any of those harassing perplexities or dismal ideas in which
petulant authors embroil our tender susceptibilities--a novel in which
the utmost pathos is in the little poutings of true lovers; in which
kissing goes by favor, and favor is lavishly distributed; in which
ugliness is the only crime, and virtue, or rather beauty (which is the
same thing), is unfailingly triumphant. The stock scenery and
properties, together with the usual characters of a society novel appear
in _Molly Bawn_; and the personages are invested, if not with the divine
gift of life, with a certain wire-strung movement which does not lack
vivacity, and in some cases novelty; the villain, for example, having
but little employment in his original capacity, and being utilized as a
laughing-stock for the amusement of his victims. Even the grammar of the
book can hardly be taken _au sérieux_. It exhibits a serene carelessness
of rules, with a tendency to bulls which suggests that the heroine's
nationality is also that of the author. A sentence in which we are told
of a house that it is "larger, at first sight, than it in reality is,"
strikes a blow at the very essence of things, and those much-abused
words _will_ and _would_ usurp the place of their relatives, _shall_ and
_should_, with a uniformity that proves the absence of negligence.
Samuel Johnson. By Leslie Stephen. (English Men of Letters, edited
by John Morley.) New York: Harper & Brothers.
Public-domain text, read in full here on John Shaqi.
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