Lippincott's Magazine of Popular Literature and Science, Vol. 22, November, 1878Various
History
Lippincott's Magazine of Popular Literature and Science, Vol. 22, November, 1878
Various
Literature, Modern -- 19th century -- Periodicals; Science -- Periodicals
If the reader will take the trouble to compare the above rendering of
this story with the Hindoo variant entitled "The Valiant
Chattee-Maker,"[4] and the closely-related German version called by
Grimm "The Valiant Little Tailor,"[5] he will see how far it surpasses
them both in unity of conception, in coherence of detail, in keen
appreciation of humor and in skill of literary treatment. The grotesque
statement of impossibilities with which it begins is the Caucasian
story-teller's conventional method of forewarning his hearers that they
are about to listen to a burlesque, a pure extravaganza, lying entirely
outside the domain of fact and reality. There is no attempt made to give
it the air of truth: on the contrary, the narrator takes especial pains
to demolish what little intrinsic probability the story has by
introducing the conventional formula, "Travelled little, travelled much,
travelled as far as a frog can jump," etc. This, like the jingle of a
court-jester's bells, is intended to remind the hearer that nothing is
to be taken seriously.
It is remarkable that men living in such wild, gloomy fastnesses as the
tremendous ravines of the Eastern Caucasus--men whose characters have
been hardened and tempered in the hot fires of war and the vendetta--men
who have the pride and fortitude of American Indians with the sternness
and ferocity of Scandinavian Berserkers--should still be capable of
appreciating and enjoying such anecdotes as "The Kettle that Died" and
"The Big Turnip," and such popular tales as "The Hero Naznai." The
fierce lust of war, which is perhaps the most salient feature of the
mountaineer's character, and the sternness and hardness of mental and
moral fibre which it tends to produce, are generally supposed to be
incompatible not only with the delicacy of perception upon which humor
largely depends, but with the very taste for humor itself; and yet in
the Caucasian mountaineer they are coexistent. How versatile the
Caucasian character is, and how wide is the range of its tastes and
sympathies, I shall show more fully hereafter.
Public-domain text, read in full here on John Shaqi.
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