Lippincott's Magazine of Popular Literature and Science, Vol. 22, September, 1878Various
Science
Lippincott's Magazine of Popular Literature and Science, Vol. 22, September, 1878
Various
Literature, Modern -- 19th century -- Periodicals; Science -- Periodicals
Very hospitable people are not particular as to who comes to see them,
if only some one comes: therefore, pack-peddlers, stove-peddlers,
drovers, the old crazy man and the old crazy woman, and other wanderers,
are welcome at the hill farmhouse. These vagabonds come from all
directions--up the Red Mill road, down from Windy Row, over from the
Huddle and the Hollow, and across from Ranger's Field Centre, sometimes
meeting two or three together. The boy is glad to see them, particularly
the peddlers, they bring such an uproar of talk with them. The brown
Bohemian or Hungarian receives a bombardment of questions at the
farmhouse that breaks all bounds to his loquacity: he tells everything
he knows of foreign lands, as well as news of what is going on in ten
counties round. Two only of the vagrant tribe the boy dislikes, the
colporteur and the travelling Spiritualist--two cold, shabby, sniffling
beings, each wrapped in a shawl and each driving an old horse afflicted
with poll-evil. Whenever the boy goes to put up one of these men's
horses he wants to break his wagon and whip, and he does give them a few
ferocious shakes in the solitude of the stable. The boy worships the
clockmaker, who comes once a year on a Saturday and stays over Sunday,
mending all the clocks in the house, the tall, timeworn wooden one up in
the boy's bedroom as well as the rest. This fellow has a taste for
pugilism. While working at the clocks he holds discussions with the
hired folks about Heenan, Sayers, Morrissey, dogs, cocks and horses, and
lets out secrets about mills coming off in London and New York next
week. This is delightful. But once let the horse-pitchfork man arrive,
and there is a regular sitting up at night, a grand debauch of talk on
politics, patent-rights, improved agricultural implements and other
themes, the whole interspersed with original jokes. The old farmer is
obtuse about jokes--
An owl might make him laugh, if only it would wink,
but nothing less could--yet the horse-pitchfork man's jokes penetrate
him.
Public-domain text, read in full here on John Shaqi.
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