Elk Lake was a place of misadventure to us. Our struggle through the thicket and dense forest was hot and exhausting. Our scientist left there a fine aneroid barometer, which a second hot walk failed to recover. Our photographer, arrived at the lake with a grievous burden of camera, plates, tripod, etc., found that he had forgotten his lens tubes, and was compelled to double his tracks back to the canoes, then wade out into the swampy borders of the lake, waist-deep in slime, to secure a view of this highest Mississippi water, only to have his plate light-struck and ruined by an accident on the homeward journey. While the artist was gone for his forgotten lenses our Nimrod missed a fine eagle which swept over our heads at long range. So we returned to our island camp in no very good mood, but a successful troll for lake-trout, and a good supper off two fine fellows baked under the coals in birch jackets, sent us to bed in good spirits and with no regrets save for the lost barometer. A.H. SIEGFRIED. NATIONAL MUSIC AN INTERPRETER OF NATIONAL CHARACTER. The popular music of any people is, in a great measure, the thermometer of its physical sensitiveness and its moral sentiments; and the reason of this is evident. The shepherd tending his flock, the fisherman mending his nets, the soldier on the march, the peasant at the plough, has no inducement to sing unless his heart's emotion incite him to it. A true national music is, then, what the Germans call _Volksmusik_, and, springing from the hearts of the people, it is psychologically one of their best interpreters. For this reason the composers of national melodies are seldom known to fame. A national song composes itself: the musician's lyre is the musician's heart, and from the sorrow, triumph and travail of life comes the child of song. The assertion, then, that music is a universal language is only half true: it has a great variety of dialects; and it is this very sensitiveness to human influence which makes it so universally eloquent. Let us turn first to the East, for it still retains its primitive music, and at this very hour some muezzin is calling from his minaret or some Jew intoning his Talmud in the same musical cadence with which Syrian maidens sang the hymns to Cybele.