Lippincott's Magazine of Popular Literature and Science, Vol. 26, August, 1880Various
History
Lippincott's Magazine of Popular Literature and Science, Vol. 26, August, 1880
Various
Literature, Modern -- 19th century -- Periodicals; Science -- Periodicals
The Sclavs, being a pure race, have also a very decided national music.
Its peculiarity is smooth, lisping, sibillating sounds, analogous to the
rustling of leaves in a forest. Having no native accent in their own
language, they easily imitate that of others; and this imparts to the
Sclavonic races that admirable facility for speaking foreign languages
which distinguishes them. This characteristic of their speech is
faithfully reproduced in their music, especially in that of the southern
Sclavs. It is indicated by continuous notes of the same value, and by a
compass scarcely ever exceeding a fifth. Its negative peculiarities
harmonize exactly with the history of the Russians. The sad, doleful
monotony of their existence in the past is pathetically interpreted by
their narrow, sombre, subdued melodies. They are the voice of a people
whose ideas revolved in a narrow circle--of people who dwelt on vast
gray plains dotted with sad brown huts, and who heard no sounds but the
sighing of the wind through the dark pine forests. The "Vesper Hymn,"
known to every ordinary player, is a very good example of the general
character of Russian melodies. The songs of the peasants are further
distinguished by their frequent modulation from the major to the minor
key, as if not long could they be joyful, and also by the peculiar way
in which they are rendered. The tonic and the dominant are the prevalent
intervals, and the intermediate notes are slurred or slightly sounded.
Rochlitz found it impossible to convey this peculiarity by notation, but
gives the following melody as a favorite accompaniment to the serf-songs
of Northern Russia:
[Illustration: MUSIC.]
The Poles, members of this family, have had a great national existence,
and their national music echoes its history and its character. The
heartstirring strains of their mazurkas make many a bosom beat and ache
as they remind the listeners of past times. Polish music is the voice of
a light-minded, brave-hearted people who lived in a gay turmoil and
drained with eager lips and reckless spirits the cup of glory and of
joy. The Polish polkas and mazurkas, with their changing and fugitive
rhythmus and their lively, uneven time, admirably embody the light and
graceful spirit of this people.
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