Lippincott's Magazine of Popular Literature and Science, Vol. 26, August, 1880Various
History
Lippincott's Magazine of Popular Literature and Science, Vol. 26, August, 1880
Various
Literature, Modern -- 19th century -- Periodicals; Science -- Periodicals
We cannot leave Hungarian music without noticing the fact that it has
been greatly influenced by the gypsies of that country, by whom it is
mainly cultivated as an art. In Hungary, indeed, there is no stately
festival, no public rejoicing, no private merrymaking, without some
gypsy band; and it would be impossible to find more sympathetic
interpreters of its intense and passionate spirit. But if professional
musicians, they are nomadic ones: they wander through all the towns and
villages of Transylvania and Wallachia, and are everywhere welcome. In
dance-music the life and impetuosity of their musical movements, their
varying rhythms and the strange thrill of their wild dissonances are
absolutely enthralling. Charles Boner, in his work on Transylvania, says
that even the aged find it impossible to resist the dance when a gypsy
band invites them to it. Their prelude is slow and sonorous, the music
quickens, there is a rush of tones, the fantastic melody hastens on at a
head-long pace--every one, old and young, is under its spell.
Many of the Hungarian gypsies are composers as well as performers.
Pougratz and Patikarus are names beloved wherever the "Czardas" is
listened to; and where, in Hungary, is not the "Czardas" listened to? No
one can play a "Czardas" like a gypsy, and he is often rewarded for it
in the most exaggerated manner; for he soon has his audience so excited
that they call for it again and again, and heap recompense on
recompense, until, in their passionate delight, the last ducat, the last
watch, ring, and even horse, has been bestowed. The gypsies of Hungary
conclude all pieces ending in the minor key by substituting the major
chord for the minor chord; for instance, a passage written thus,
[Illustration: MUSIC.]
they finish thus:
[Illustration: MUSIC.]
following instinctively a rule which we find frequently observed in the
most classical compositions. The following is a martial dance of the
gypsies, but the most elaborate notation would only be the skeleton of
any example: the best parts of all their performances are those they
improvise while playing:
[Illustration: MUSIC.]
Public-domain text, read in full here on John Shaqi.
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