Lippincott's Magazine of Popular Literature and Science, Vol. 26, November, 1880Various
History
Lippincott's Magazine of Popular Literature and Science, Vol. 26, November, 1880
Various
Literature, Modern -- 19th century -- Periodicals; Science -- Periodicals
Between their donkeys strode a bare-legged woman in a ragged petticoat.
She was bronzed and wrinkled, with straggling hair thrust through with
a silver arrow, and coarse brown chemise falling widely open over an
unlovely neck and breast. She uttered many a strident yell, accentuated
by heavy thwacks of her club upon her donkeys' flanks. She was dirty,
wild-eyed and hideous. It were as difficult to imagine her comely
and young as to believe this little dried-up old girl had not been a
flirting old maid from her cradle.
Ah, but Nature is cruel to woman! Freshness and beauty of flesh are
hers, not that she may rejoice in her own beauty and freshness, but
that she may become the mother of men. Bearing children, in the bearing
dies one beauty and charm after another, just as trees die, leaf
by leaf, which have enriched the world by their allotted harvests.
Childless, her beauty and freshness die of her unfruitfulness, while
Nature's pet offspring, man, waxes strong and proud years after all her
leaves have fallen.
Look at these three people: the handsome and robust bachelor was the
oldest of them all.
"What a capital model she would make for an Erinnys hunting Orestes to
his fate!" thought Miss Deane.
She was bumping up and down in her saddle like a rubber ball.
Nevertheless, in the pauses of those bumps she had time enough to grow
very angry at something she saw. She turned a regular Spitzenberg red
as she detected the searching, passionate gaze her companion bent
upon every pretty islander they met. She saw the black-eyed girl with
a huge bundle of fagots on her head, the brown-eyed one with immense
building-timbers pressing down her curly locks, the blue-eyed one with
copper water-jar gleaming goldenly over her dagger-thrust braids, smile
significantly after coquettishly returning his gaze.
They are not so guileless as one might think, those picturesque,
brown-skinned island-girls. Too many foreign artists have come this
way, and too many strong-limbed, full-chested girls have become first
their models, then mothers of their children, and then their wedded
wives, not now-a-days to look upon every gazing _forestiere_ as a
possible husband, or at least lover.
Yet is it true that not one of them dreamed of the feeling beneath that
immaculately-laundried shirt-bosom as the wearer turned away from them,
one girl after another. Why should they, forsooth? Had not even Ben
Shaw's own friends always declared there was no sentiment in him, or
even in his pictures?
At one of her donkeys' stumbles over the lava-stones the driver yelled
so horribly in Miss Deane's ears that that lady's discomfort puckered
her face up like a frozen apple.
Mr. Shaw saw it. "By Jove!" he remarked to his donkey, who laid back
its ears and pretended to understand English, "I must have been very
veally ever to find that face pretty! But there's one thing sure: she
has taken on a thousand girlish airs and graces with every year she has
lived since then."
Public-domain text, read in full here on John Shaqi.
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