Lippincott's Magazine of Popular Literature and Science, Vol. 26, November, 1880Various
History
Lippincott's Magazine of Popular Literature and Science, Vol. 26, November, 1880
Various
Literature, Modern -- 19th century -- Periodicals; Science -- Periodicals
and so on through a variety of amusing sobriquets. These butchers are
richer to-day, if anything, than they were in Henry's time, and there
is no impecunious monarch to levy on them now. They have their own
place of worship too, a little chapel dedicated to St. Aurelien, and
standing modestly aside in a court at the foot of their narrow street.
It is scarcely larger than the vestibule of an ordinary church, and
its exterior is as plain as that of any country barn. But step quietly
in, and as soon as your eyes are accustomed to the gloom look about
you. What a surprise! Frescoes, stained glass, paintings, statuary,
tapestries and vessels of gold and silver are crowded together with
lavish profuseness in that little sanctuary. A monolith cross dating
from the fifteenth century stands just outside the portal, bearing
exquisitely-carved representations of Christ, the Virgin and the
apostles--a gem of sculpture rearing itself unexpectedly in the midst
of a muddy and squalid neighborhood.
The history of Limoges, like that of most European cities, is
closely interwoven with that of its churches. St. Michael of the
Lions, familiarly known as the Church of the Boule d'Or from a large
gilded ball which adorns its tapering spire, stands upon one of the
highest points in the city. About its base, in the niches between
its projecting abutments, cobblers and dealers in old clothes and
bric-à-brac have, with the sanction of time, reared unopposed their
rickety shanties, so that the church-walls, with their ancient carvings
and quaint designs, seem to spring up incongruously out of a medley
of combustible rubbish. On the steps at the main doorway, in careless
disorder, are to be seen the three life-size stone lions which gave the
church its name. They date from the twelfth century, and are so worn by
time that only the outlines of their features are still discernible.
St. Michael's spire, which is one hundred and sixty-five feet high and
ascended by an iron ladder on the exterior, was completed in 1383.
The interior of the church is richly adorned, though somewhat defaced
during the Revolutionary days of '93, when it was reared into a temple
of Reason and witnessed many a saturnalian orgy, during one of which
one of its finest windows was broken to fragments.
Public-domain text, read in full here on John Shaqi.
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