Lippincott's Magazine of Popular Literature and Science, Vol. 26, November, 1880Various
History
Lippincott's Magazine of Popular Literature and Science, Vol. 26, November, 1880
Various
Literature, Modern -- 19th century -- Periodicals; Science -- Periodicals
executions was forbidden. The Revolution dealt what was practically
a deathblow to the order, for, though revived in 1804, it provoked
ridicule as out of keeping with modern ideas. The Ostension procession
of 1862 saw the six surviving lodges parade together for the last time.
The events of 1870-71 finished the work of disorganization, and to-day
the costumes and ornaments of the Penitents Noirs--who, it seems, had
survived all the others--remain as curiosities in the possession of the
last treasurer of the lodge.
The stranger at Limoges is perforce an early riser. He is aroused
from his slumbers at daybreak by a furious reveille of drum and bugle
from the numerous barracks about the city, and from that time on
bugle-practice and drum-practice hold high revel, until the despairing
visitor is obliged, in sheer self-defence, to rise, dress and stroll
out to see where all the racket comes from. He will understand it when
he learns that of the seventy thousand people in the city about him,
ten thousand are soldiers. If he would gain some idea of the number and
extent of the _casernes_ in which this good-sized army is quartered--in
fact, if he would have a view of the whole city just awakening to its
daily life--let him stroll up through one or another of the steep
streets leading to the Place d'Orsay, a hilltop park crowned with
forest trees and overlooking all Limoges. There was once a Roman arena
on this spot, but its memory now lives only in the name of an adjacent
street. If the morning be clear the view from this point is superb.
Let the spectator turn where he may, he looks over densely-crowded
housetops toward a vast amphitheatre of surrounding hills dotted with
châteaux and farms, and enclosing the circular valley or basin in the
centre of which, upon a knoll, stands the city itself. About him the
busy hum of toil is already audible. Scores of tall chimneys puffing
out smoke and flames mark the numerous porcelain-factories scattered
here and there through the city's limits. Close at hand the tapering
spire of St. Michael's, and beyond it that of St. Pierre, stand out in
clear relief against the morning sky, while farther in the distance the
cathedral looms up grand and shapely among the morning shadows rising
from the river at its base.
Public-domain text, read in full here on John Shaqi.
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