Lippincott's Magazine of Popular Literature and Science, Vol. 26, October, 1880Various
History
Lippincott's Magazine of Popular Literature and Science, Vol. 26, October, 1880
Various
Literature, Modern -- 19th century -- Periodicals; Science -- Periodicals
It is but rarely that we find a German, a Frenchman, a Spaniard, an
Italian, or a Russian, who even having expatriated himself completely
for one reason or another, and after years of absence, will not have
retained some affection for his native country, some longing for it,
some feeling that it is the best place on earth after all. But among any
number of Americans who have been on European soil for any period of
time, from twenty days to twenty years, those who are burdened with any
such affection, any such longing, any such feeling, might be counted
with ease. Indeed, if through some inconceivable arrangement of human
affairs the Americans abroad were to be prevented from ever returning to
their own country, I imagine the majority would bear the catastrophe
with great equanimity, and, aside from the natural ties of family and
pecuniary interests that might bind them to their home, would think the
permanent life in Europe thus enforced the happiest that Fate could have
bestowed upon them. For my part, I never met but one American who was
anxious to return home--a lady, strange to say--and her chief reason
seemed to be that she missed her pancakes, hot breads, etc. for
breakfast. All the others, men and women, had but one voice to express
how immeasurably more to their taste was everything in Europe--the
climate, the life, the people, the country, the food, the manners, the
institutions, the customs--than anything in America.
However, all Americans in Europe are not of this class, although it
includes the majority. There is a comparatively small number who are as
much impressed with the perfection of everything American as the most
ardent patriotism could desire. These people go to Europe cased in a
triple armor of self-assertion, prepared to poohpooh everything and
everybody that may come under their notice, and above all to vindicate
under all circumstances their independence as free-born American
citizens by giving the world around them the benefit of their opinions
upon all topics both in and out of season. They stand before a
_chef-d'oeuvre_ of some old master and declare in a loud, aggressive
voice that they see nothing whatever to admire in it, that the
bystanders may know that the judgment of centuries will not weigh with
_them_. They inquire with grim facetiousness, and terrific emphasis on
the pronominal adjectives, "Is _this_ what the people in this part of
the world call a steamboat?" "Do they call that duckpond a lake?" "Is
that stream what they call a river?" And so on, in a perpetual attitude
of protest against everything not so large as their steamboats, their
lakes, their rivers. When this genus of Americans abroad comes together
with the other genus--with the people who think the most wretched daub
that hangs in the most obscure corner of a European gallery, labelled
with prudent indefiniteness "of the school of ----," better far than the
most conscientious work by the most gifted of American artists--and a
Public-domain text, read in full here on John Shaqi.
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