Lippincott's Magazine of Popular Literature and Science, Vol. XVI., December, 1880.Various
History
Lippincott's Magazine of Popular Literature and Science, Vol. XVI., December, 1880.
Various
Literature, Modern -- 19th century -- Periodicals; Science -- Periodicals
None the less, although she made no honest effort to equal this model
proposed for her example, did Baubie feel jealous and aggrieved. Her
nature recognized other possibilities of expression and other fields of
excellence beyond those afforded by the above-mentioned useful arts, and
she brooded over her arbitrary and forcedly inferior position with all
the intensity of a naturally masterful and passionate nature. It was all
the more unbearable because she had no real cause of complaint: had she
been oppressed or ill-treated in the slightest degree, or had anybody
else been unduly favored, there would have been a pretext for an
outbreak or a shadow of a reason for her discontent. But it was not so.
The matron dispensed even-handed justice and motherly kindness
impartially all round. And if the lassie Grant's excellences were
somewhat obtrusively contrasted with Baubie's shortcomings, it was
because, the two children being of the same age, Mrs. Duncan hoped to
rouse thereby a spark of emulation in Baubie. Neither was there any
pharisaical self-exaltation on the part of the rival. She was a
sandy-haired little girl, an orphan who had been three years in the
refuge, and who in her own mind rather deprecated as unfair any
comparison drawn between herself and the newly-caught Baubie.
Day followed day quietly, and Baubie had been just a week in the refuge,
when Miss Mackenzie, faithful to her promise, called to inquire how her
_protegee_ was getting on.
The matron gave her rather a good character of Baubie. "She's just no
trouble--a quiet-like child. She knows just nothing, but I've set her
beside the lassie Grant, and I don't doubt but she'll do well yet; but
she is some dull," she added.
"Are you happy, Baubie?" asked Miss Mackenzie. "Will you try and learn
everything like 'Lisbeth Grant? See how well she sews, and she is no
older than you."
"Ay, mem," responded Baubie, meekly and without looking up. She was
still wearing 'Lisbeth Grant's frock and apron, and the garments gave
her that odd look of their real owner which clothes so often have the
power of conveying. Baubie's slim figure had caught the flat-backed,
square-shoulder form of her little neighbor, and her face, between the
smooth-laid bands of her hair, seemed to have assumed the same
gravely-respectable air. The disingenuous roving eye was there all the
time, could they but have noted it, and gave the lie to her compressed
lips and studied pose.
That same day the Rob Roy tartan frock made its appearance from the
wash, brighter as to hue, but somewhat smaller and shrunken in size, as
was the nature of its material for one reason, and for another because
it had parted, in common with its owner when subjected to the same
process, with a great deal of extraneous matter. Baubie saw her familiar
garb again with joy, and put it on with keen satisfaction.
Public-domain text, read in full here on John Shaqi.
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