Lippincott's Magazine of Popular Literature and Science, Vol. XVI., December, 1880.Various
History
Lippincott's Magazine of Popular Literature and Science, Vol. XVI., December, 1880.
Various
Literature, Modern -- 19th century -- Periodicals; Science -- Periodicals
the other evils unknown in early days and in primitive communities, have
come into existence and gained sway throughout the land. These and
similar views, according to our observation, characterize what we may
without disrespect, and without confining the remark to the rural
districts, term the provincial mind, and wherever they exist the ideas
of the Civil-Service Reformers are not only not understood or treated as
visionary, but are regarded with aversion and distrust as foreign,
monstrous and inconsistent with popular freedom and republican
government.
AN UNFINISHED PAGE OF HISTORY.
I can easily understand why educated Americans cross the Atlantic every
year in shoals in search of the picturesque; and I can understand, too,
all that they say of the relief which ivied ruins and cathedrals and
galleries, or any other reminders of past ages, give to their eyes,
oppressed so long by our interminable rows of store-box houses, our
pasteboard villas, the magnificence of our railway accommodations for
Ladies and Gents, and all the general gaseous glitter which betrays how
young and how rich we are. But I cannot understand why it is that their
eyes, thus trained, should fail to see the exceptional picturesqueness
of human life in this country. The live man is surely always more
dramatic and suggestive than a house or a costume, provided we have eyes
to interpret him; and this people, as no other, are made up of the
moving, active deposits and results of world-old civilizations and
experiments in living.
Outwardly, if you choose, the country is like one of the pretentious
houses of its rich citizens--new, smug, complacently commonplace--but
within, like the house again, it is filled with rare bits gathered out
of every age and country and jumbled together in utter confusion. If you
ride down Seventh street in a horse-car, you are in a psychological
curio-shop. On one side, very likely, is a Russian Jew just from the
Steppes; on the other, a negro with centuries of heathendom and slavery
hinting themselves in lip and eye; the driver is a Fenian, with the
blood of the Phoenicians in his veins; in front of you is a gentleman
with the unmistakable Huguenot nose, and chin; while an almond-eyed
pagan, disguised behind moustache and eye-glasses, courteously takes
your fare and drops it for you in the Slawson box. Nowhere do all the
elements of Tragedy and Comedy play so strange a part as on the
dead-level of this American stage. It is because it is so dead a level
that we fail to see the part they play--because "furious Goth and fiery
Hun" meet, not on the battle-field, but in the horse-car, dropping their
cents together in a Slawson box.
For example, as to the tragedy.
Public-domain text, read in full here on John Shaqi.
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