The earlier chapters describe the various migrations of the family from one parish to another, and from them we have no difficulty in recognizing in "papa" the Rev. Julian Young, who possessed no small share of the talents that distinguished _his_ father, the celebrated tragedian, Charles Young, and which seem to have been transmitted to our author, who, we understand, has honorably served his country in Her Majesty's army. From his earliest years Charlie seems to have been strongly influenced by religious feelings. His creed was a bright and trustful one, a realization of God's presence and of the need of speaking to Him as to one who could always hear and help. When he was about three years old, we are told in the editor's interesting preface, he was often heard offering up little petitions for the supply of his child-like wants. Once, when, his nurse left him to fetch some more milk, his father overheard him saying, "O God, please let there be enough milk in the jug for me to have some more, for Jesus Christ's sake. Amen." Many quaint little religious reflections and scriptural allusions are interspersed throughout the book. In one place he declares that "without papa and mamma the garden would be to me what the wilderness was to John the Baptist;" while again he offers up a pathetic prayer for a baby-brother; and throughout we are struck by the fact that his religion was pre-eminently one of love. Charlie's educational advantages were of the noblest and best, home-training largely predominating. In the ninth chapter he refers in a simple matter-of-fact way to his early studies: "Mamma devotes her time in teaching me and in reading instructive books with me. Papa tells me about the productions of the earth, rivers, mountains, valleys, mines, and, most wonderful of all, the formation of the human body." Further on we read: "Nothing of any great importance occurred now for some time. My life was spent quietly in the country, as the child of a Wiltshire clergyman ought, mamma devoting her time in teaching me, and my daily play going on the same, till at last papa and mamma took me to the splendid capital of England." However much this brilliant transition may have dazzled him, he still prefers his quiet country home, arguing thus: "As to living there [in London], I should not like it. The reason why--because its noisy riots in the streets suit not my mood like the tranquil streams and the waving trees I love in England's country.... 'Tis true--oh, how true!--in the poetic words of Mr. Shakespeare, 'Man made the town, God made the country.'"