Lippincott's Magazine of Popular Literature and Science, Volume 11, No. 23, February, 1873Various
Science
Lippincott's Magazine of Popular Literature and Science, Volume 11, No. 23, February, 1873
Various
Literature, Modern -- 19th century -- Periodicals; Science -- Periodicals
The effort to clothe with intelligence subaqueous life must have been
greatly strengthened among primitive nations by the musical sounds
to which I have referred. Those mysterious breathings were associated
with a human will, and gave forebodings from their very sweetness.
Everywhere they are associated with a passionate or pathetic mystery,
and the widely-spread area over which their island home is portrayed
as existing strengthens the conclusion that the strange music of the
sea belongs not to Ceylon or Florida or the Mediterranean alone. It
affords us another instance, by that common enjoyment of sweet sounds,
of the chain of sympathy between all intelligent creatures, and better
prepares us for familiar acquaintance with the beings which people the
sea. We have prejudices and preconceived ideas to get rid of, whose
strength has crystallized into aphorisms. "Cold as a fish" and
"fish-eyed" are ordinary expressions. Then the touch of a fish, cold,
slippery, serpent-like, causes an involuntary shrinking.
But the submarine diver has a new revelation of piscine character and
beauty, and perhaps can better understand the enticings of a siren or
fantastic Lurlei than the classical scholar. In the flush of aureal
light tinging their pearly glimmering armor are the radiant, graceful,
frolicsome inhabitants of the sea. The glutinous or oily exudation
that covers them is a brilliant varnish. Their lustrous colors,
variety of crystalline tints and beautiful markings and spots, attract
the eye of the artist even in the fish-market; but when glowing with
full life, lively, nimble, playful, surely the most graceful living
creatures of earth, air or sea, the soul must be blind indeed that can
look upon them unmoved.
Public-domain text, read in full here on John Shaqi.
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