Lippincott's Magazine of Popular Literature and Science, Volume 11, No. 23, February, 1873Various
Science
Lippincott's Magazine of Popular Literature and Science, Volume 11, No. 23, February, 1873
Various
Literature, Modern -- 19th century -- Periodicals; Science -- Periodicals
All along the sunny coast, like flowers springing up in a
battle-field, were rows of little white cottages, tenanted by women
and children--love, life and peace in the midst of ruin and sudden
death. At the offending spectacle of homely peace among its enemies
the unglutted monster eased its huge wrath. Tumbling and bursting
among the poor little pasteboard shells of cottages, where children
played and women gossiped of the war, and prayed for its end, no
matter how, fell the huge globes and cones of murder. Shrieks and
cries, slain babes and wounded women on shore; surly, half-mutinous
officers and crew on that iron hulk, shocked at the fell work they
were set to do; and the glimmer and wash of the bay-water below--that
sweet, tranquil, half-transparent liquid, with idle weeds and chips
upon it, empty crates and boxes of dead merchandise, sacked of their
life and substance by the war, as one might swallow an oyster; the
soft veils of shadowy ships and the distant city spires; umbrageous
fires and slips of shining sand all mirrored in the soft and quiet
sea, while this devilish pother went on. There is a buoy adrift! No,
it is a sodden cask, perhaps of spoiling meat, while the people in the
town yonder are starving; and still the huge iron, gluttonous monster
bursts its foam of blood and death, while the surly crew curse and
think of mothers and babes at home. Better to look at the bay, the
idle, pleasing summer water, with chips and corks and weeds upon it;
better to look at the bubbling cask yonder--much better, captain,
if you only knew it! But the reluctant, heavy iron turret groans and
wheezes on its pivotal round, and it will be a minute or half a minute
before the throated hell speaks again. But it _will_ speak: machinery
is fatally accurate to time and place. Can nothing stay it, or
stop the trembling of those bursting iron spheres among yon pretty
print-like homes? No: look at the buoy, wish-wash, rolling lazily,
bobbing in the water, a lazy, idle cask, with nothing in the world
to do on this day of busy mischief. What hands coopered it in the new
West? what farmer filled it? There is the grunting of swine, lowing of
cattle, in the look of the staves. But the turret groans and wheezes
and goes around, whether you look at it or not. What cottage this
time? The soft lap-lap of the water goes on, and the tedious cask gets
nearer: it will slide by the counter. You have a curious interest in
that. No: it grates under the bow; it--Thunder and wreck and ruin!
Has the bay burst open and swallowed us? The huge, invulnerable iron
monster--not invulnerable after all--has met its master in the idle
cask. It is blind, imprisoned Samson pulling down the pillars of the
temple. The tough iron plates at the bow are rent and torn and twisted
like wet paper. A terrible hole is gashed in the hull. The monster
wobbles, rolls, gasps, and drinks huge gulps of water like a wounded
man--desperately wounded, and dying in his thirsty veins and arteries.
Public-domain text, read in full here on John Shaqi.
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