Lippincott's Magazine of Popular Literature and Science, Volume 11, No. 23, February, 1873Various
Science
Lippincott's Magazine of Popular Literature and Science, Volume 11, No. 23, February, 1873
Various
Literature, Modern -- 19th century -- Periodicals; Science -- Periodicals
Such were the condition, period and place--the people crushed
between the upper and nether millstones of two hostile and contending
civilizations--when native thrift evoked a new element, that set
in sharp contrast the heroism of life and the heroism of death, the
courage that incurs danger to save against the courage that
accepts danger to destroy. The work was the saving of the valuable
arms--costing the government thirty thousand dollars per gun--and the
machinery of the sunken Milwaukee.[A] By a curious circumstance this
party of divers was composed partly, if not principally or entirely,
of mechanics and engineers who were exempt from military service
under the economic laws of the Confederacy, yet who in heart and soul
sympathized with the rebellion. They had worked to save for the South:
now they were to work and save for the North. It was a service of
superadded danger. All the peril incurred from missile weapons
was increased by the hidden danger of the secret under-sea and the
presence of the terrible torpedoes. These floated everywhere, in all
innocent, unsuspicious shapes. One monster, made of boiler iron, a
huge cross, is popularly believed to be still hidden in the bay. The
person possessing the chart wherein the masked battery's place was set
down is said to have destroyed it and fled. Let us hope, however, that
this is an error.
[Footnote A: The Milwaukee was sunk nearly due east of the city: the
Osage, Tecumseh, several despatch-boats and steamers, besides the
three monitors, were sunk by torpedoes in the bay.]
Keep in mind, in reading this account, the contrasted picture of peace
in Nature and war in man--the calm blue sky; the soft hazy outlines
of woods and bay-shore dropping their soft veils in the water; the
cottages, suggesting industry and love; the distant city; the delicate
and graceful spars of the Hartford; the busy despatch-steamers plying
to and fro; the bursting forts and huge ugly monitors; the starry
arches of flying shells by night and flying cloud by day; the soft lap
of the water; the sensuous, sweet beauty of that latitude of eternal
spring; and the soft dark violet of the outer sea, glassing itself in
calm or broken into millioned frets of blue, red and starry fire; the
danger above and the danger below; the dark mysterious caverns of the
sea, rich with coral grots and grove and abounding marine life; the
impenetrable gloom of the ship's hold, whose unimaginable darkness and
labyrinthine intricacy of machinery set obstacles at every turn and
move and step; the darkness; the fury; the hues and shape, all that
art can make or Nature fashion, gild or color wrought into one grand
tablature of splendor and magnificence. War and peaceful industry met
there in novel rivalry, and each claimed its privileges. The captain
of the Search said to the officers, while crowding his men behind the
turret, with sly, dry humor, "Come, you are all _paid_ to be shot at:
my men are not."
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account