Lippincott's Magazine of Popular Literature and Science, Volume 11, No. 22, January, 1873Various
Science
Lippincott's Magazine of Popular Literature and Science, Volume 11, No. 22, January, 1873
Various
Literature, Modern -- 19th century -- Periodicals; Science -- Periodicals
"Oh!" said I, feeling that a spot or two had suddenly appeared on the
face of the sun.
"That's nothing against her, is it?"
"No, but I have no patience with second marriages."
"Nor first ones, either," said Frank wickedly.
"But seriously, Frank--would you like to have a wife so beautiful as
Mrs. Rayne?"
"Yes, if she had Rhoda's soul inside of her," said Frank stoutly.
"I shouldn't."
"Why not?"
"Because all sorts of eyes gloat on her beauty and drink it in, and in
one way appropriate it to themselves. Mr. Rayne is as proud of the
admiration given to his wife as if it were a personal tribute to his own
taste in selecting her. A beautiful woman never really and truly belongs
to her husband unless he can keep a veil over her face, as the Turks
do."
"I knew you had 'views,'" said Mr. Rayne behind me, "but I had no idea
they were so heathenish. What is New England coming to under the new
rule? Are the plain women going to shut up all the handsome ones?"
"I was only supposing a case."
"Suppositions are dangerous. You first endure, then dally with them, and
finally embrace them as established facts."
"I was only saying that if I am a man when I come into the world next
time (as the Hindoos say), I shall marry a plain woman with a charming
disposition, and so, as it were, have my diamond all to myself by reason
of its dull cover."
"Jealousy, thy name is woman!" said Mr. Rayne. "When the Woman's
Republic is set up, how I shall pity the handsome ones!"
"They will all be banished to some desert island," said Frank.
"And draw all men after them, as the 'Pied Piper of Hamelin' did the
rats," said Mr. Rayne.
"What are you talking about?" said Mrs. Rayne, joining us at this point.
"The pity of it," said her husband, "that beauty is only skin deep."
"That is deep enough," said Mrs. Rayne.
"Yes, if age and sickness and trouble did not make one shed it so soon,"
said I ungratefully.
"Don't mention it," said Mrs. Rayne--"'tis bad enough when it comes. Do
you remember that Greek woman in _Lothair,_ whose father was so
fearfully rich that she seemed to be all crusted with precious stones?"
"Perfectly."
"To dance and sing was all she lived for, and Lothair must needs bring
in the skeleton, as you did, by reminding her of the dolorous time when
she would neither dance nor sing. You think she is crushed, to be sure,
only Disraeli's characters never are crushed, any more than himself. 'Oh
then,' she says, 'we will be part of the audience, and other people will
dance and sing for us.' So beauty is always with us, though one person
loses it."
She gave a little shrug of her shoulders, which made her pearls and
velvet shimmer in the moonlight. She looked so white and cool and
perfect, so apart from common clay, that all at once Queen Guinevere
ceased to be my type of her, and I thought of "Lilith, first wife of
Adam," as we see her in Rossetti's fanciful poem:
Not a drop of her blood was human,
But she was made like a soft, sweet woman.
Public-domain text, read in full here on John Shaqi.
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