Lippincott's Magazine of Popular Literature and Science, Volume 11, No. 22, January, 1873Various
Science
Lippincott's Magazine of Popular Literature and Science, Volume 11, No. 22, January, 1873
Various
Literature, Modern -- 19th century -- Periodicals; Science -- Periodicals
Any one who takes an interest in the most original writer--not to say,
man--of the eighteenth century will not fail to find his way to "the
Liberties," as that queer district is called which surrounds St.
Patrick's Cathedral. Some years ago the present writer made his way into
the great deserted deanery--the then dean resided in another part of
the city--got the old woman in charge of the house to open the shutters
of the dining-room, and gazed at the original portrait of Jonathan
Swift, which hangs there an heirloom to his successors. Of the precincts
of his cathedral he writes to Pope: "I am lord-mayor of one hundred and
twenty houses,[5] I am absolute lord of the greatest cathedral in the
kingdom, and am at peace with the neighboring princes--_i.e._, the
lord-mayor of the city and the archbishop of Dublin--but the latter
sometimes attempts encroachments on my dominions, as old Lewis did in
Lorraine."
Again, he writes to Dr. Sheridan: "No soul has broken his neck or is
hanged or married; only Cancerina is dead.[6] I let her go to her grave
without a coffin and without fees."
St. Patrick's, which was, in a deplorable state during Swift's deanship,
and indeed for a century after, is now restored to its original
magnificence. Indeed, it may be doubted whether it is not in a condition
superior to what it ever was. This superb work has been effected
entirely by the princely munificence of the Guinness family, the great
_stout_ brewers of Dublin; and Mr. Roe, a wealthy distiller, is now
engaged in the work of restoring Christ Church, the other Protestant
cathedral.
I paid a visit to the Bank of Ireland, the edifice on which the hopes of
so many patriotic Irishmen have been centred, insomuch as it is the old
Parliament-house. The elderly official who conducted us over the
building took us first through the bank-note manufacturing rooms, where
we espied in a corner a queer wooden figure draped in a queerer
uniform. Demanding its history, he said that the clothes had belonged to
an old servant of the establishment, and were discovered after his
decease a few years ago. Formerly the Bank of Ireland was guarded by a
special corps of its own, and the ancient retainer, who had been a
member of this very commercial regiment, was proud of it, and had kept
his dress as a cherished memorial. When George IV. came to Ireland, on
his celebrated popularity-hunt, in 1821--previous to which no English
monarch had visited Ireland since William III.--he graciously
condescended to give the bank a military guard, which has since been
continued. On the day I went I found a number of soldiers of the Scots
Fusileer Guards occupying the guard-room. The officer on duty receives
an allowance of two dollars and a half for his dinner. At the Bank of
England he gets instead a dinner for himself and a friend, and a couple
of bottles of wine.
Public-domain text, read in full here on John Shaqi.
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