The glittering crown of which poor Nageli's unfortunate accident had deprived her was now produced from its box for us to see--a barbaric structure, in spite of the Christian symbols attached. It was two feet high, a foot and a half wide--all gold wire, tinsel, artificial flowers, tassels, fringes of colored worsted, and surrounded by a halo of spun glass gay as a slice of the rainbow. There was a medallion of the Virgin and Child, and another of Saint Anthony, tutelar saint of the Hofbauer's father, himself and his son--patron, too, of the chapel, and a great helper in the recovery of lost calves and sheep, as well as of household goods. A red velvet gold-fringed pendant in the form of a heart, handsomely embroidered with the cross and sacred initials I.H.S., was suspended to all this grandeur. The great massive cow- and ox-bells, some tulip-shaped, while others were of the ordinary form, appeared better adapted for a belfry than the neck of cattle, and the gay leather collars, embroidered with bright worsteds, had likewise sacred symbols; thus displaying, when worn at the annual procession, both the pride and piety of the bauer. The wreaths made at the Olm for the chief oxen, of clustering berries, leaves and ribbons, hung, as visible though withered trophies of each triumphant descent, amongst the rakes, flails and other farm implements in the lower hall; whilst great closets safely hid not only the bells and the rest of the substantial properties now to be despatched to the Olm, but other brazen pomps and vanities of an age gradually becoming obsolete--the heavy harness, for instance, used for the bridal horse when the Hofbauer was married--antiquities suitable for a national museum. The good aunt and Moidel, amused by our interest and astonishment, attired the latter the same evening, for our gratification, in her mother's wedding-dress. Strong indeed must be the bride who can bear so heavy a burden, nor would any but a Tyrolese girl desire thus to be attired for the altar: a cloth petticoat ten yards wide, laid in narrow, regular folds like an enormous unopened fan; a heavy square-cut boddice of dark-green velvet, handsomely worked, and not meeting in front, in order to reveal a smart silk stomacher beneath; full white linen sleeves, trimmed at the elbow with broad somewhat coarse Bohemian lace; and a square collar, with a ruffle of the same to match. The cloth dress is, however, completely concealed, except a few inches at the bottom, by the huge apron, which is on all occasions considered an indispensable addition, no Tyrolese woman feeling modest without it. The dainty white knitted cotton stockings, with the large fancy clocks and the low-cut, boat-shaped leather slippers, with rosettes, are clearly visible. The hair is drawn tightly back _à la Chinoise_, and made into a knot, which is surmounted by a little green-and-red cushion, like a bunch of strawberries encircled in their leaves.