Lippincott's Magazine of Popular Literature and Science, Volume 12, No. 31, October, 1873Various
History
Lippincott's Magazine of Popular Literature and Science, Volume 12, No. 31, October, 1873
Various
Literature, Modern -- 19th century -- Periodicals; Science -- Periodicals
Then Sheila and he went into the drawing-room by themselves, and while
she took a seat near the brightly-lit fire-place, he opened the piano
at once and sat down. He turned up his cuffs, he took a look at the
pedals, he threw back his head, shaking his long brown hair; and
then, with a crash like thunder, his two hands struck the keys. He had
forgotten all about that sonata: it was a fantasia of his own, based
on the airs in _Der Freischütz_, that he played; and as he played
Sheila's poor little piano suffered somewhat. Never before had it been
so battered about, and she wished the small chamber were a great hall,
to temper the voluminous noise of this opening passage. But presently
the music softened. The white, lithe fingers ran lightly over the
keys, so that the notes seemed to ripple out like the prattling of a
stream, and then again some stately and majestic air or some joyous
burst of song would break upon this light accompaniment, and lead up
to another roar and rumble of noise. It was a very fine performance,
doubtless, but what Sheila remarked most was the enthusiasm of the
lad. She was to see more of that.
"Now," he said, "that is nothing. It is to get one's fingers
accustomed to the keys you play anything that is loud and rapid. But
if you please, madame, shall I sing you something?"
"Yes, do," said Sheila.
"I will sing for you a little German song which I believe Jenny Lind
used to sing, but I never heard her sing. You know German?"
"Very little indeed."
"This is only the cry of some one who is far away about his
sweetheart. It is very simple, both in the words and the music."
And he began to sing, in a voice so rich, so tender and expressive
that Sheila sat amazed and bewildered to hear him. Where had this boy
caught such a trick of passion, or was it really a trick that threw
into his voice all the pathos of a strong man's love and grief? He had
a powerful baritone, of unusual compass and rare sweetness; but it
was not the finely-trained art of his singing, but the passionate
abandonment of it, that thrilled Sheila, and indeed brought tears to
her eyes. How had this mere lad learned all the yearning and despair
of love, that he sang,
Dir bebt die Brust,
Dir schlägt dies Herz,
Du meine Lust!
O du, mein Schmerz!
Nur an den Winden, den Sternen der Höh,
Muss ich verkünden mein süsses Weh!--
Public-domain text, read in full here on John Shaqi.
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