Lippincott's Magazine of Popular Literature and Science, Volume 12, No. 31, October, 1873Various
History
Lippincott's Magazine of Popular Literature and Science, Volume 12, No. 31, October, 1873
Various
Literature, Modern -- 19th century -- Periodicals; Science -- Periodicals
It is nearly an hour since sunset, but the twilight still lingers in
softened radiance, mellowing the mountain-scenery. The camp-wagons
are drawn up on a low pebbly shelf at the foot of the hills, and the
kindled fire has set a great carbuncle in the standing pool. A spring
branch oozes out of the rocky turf, and flows down to meet a shallow
river fretting over shoals. The road we have followed hangs like
a rope-ladder from the top of the hills, sagging down in the
irregularities till it reaches the river-bed, where it flies apart in
strands of sand. The twilight leans upon the opposite ridge, painting
its undulations in inconceivably delicate shades of subdued color.
Although the night is coming on, the clear-obscure of that dusk, like
a limpid pool, reveals all beneath. A road ascending the southern hill
cuts through a loamy crust a yellow line, which creeps upward, winding
in and out, till nothing is seen of it but a break in the trees set
clear against the sky. No art of engineer wrought these graceful
bends: it is a wild mountain-pass, followed by the unwieldy buffalo in
search of pasturage. Beyond, the mountain rises again precipitously, a
ragged tree clinging here and there to the craggy shelves. Around and
through the foliage, like a ribbon, the road winds to the top. A blue
vapor covers it and the hills melting softly in the distance. At the
base of the hills a little river winds and bends to the west through
a low fertile bottom, the stem of the J, which is perhaps a mile in
width. It turns again, its course marked by a growth of low water-oaks
and beeches, following the irregular fold in the hills which has been
described.
Leaning against the bluffs hard by the camp is a low white cottage,
with its paddock and pinfold, and the cattle are coming up, with bells
toning irregularly as they feed and loiter on the way. The supper-horn
sends forth a hoarse but mellow fugue in swells and cadences from the
farm-house. Over all this sweet rural scene of mountain, valley, river
and farm, and over the picturesque camp, with stock, tent and wagons,
now brightened by the grace of a young girl, the twilight lingers like
love over a home. As I listen and look a soft voice from the carriage
at my side says, "Is the ground damp? May I get out?"
I turn to my little prisoner, and as the mingled lights cross her
features I see that her wide, dark-gray eyes are swimming in tears.
"Why, what is it?" I ask.
"Nothing: everything is so sweet and tranquil. I was wondering if our
new home would be like this--not the hills and valleys, you know, but
so quiet and homelike."
So homelike! With that vague yearning, we, like so many Southerners
of the period, were wagoning from old homesteads, a thousand miles of
travel, to a resting-place.
"It will be like home if you are there," I think as I assist her to
alight--the burden daily growing lighter in my arms and heavier on my
heart--but I say nothing.
Public-domain text, read in full here on John Shaqi.
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