Lippincott's Magazine of Popular Literature and Science, Volume 12, No. 31, October, 1873Various
History
Lippincott's Magazine of Popular Literature and Science, Volume 12, No. 31, October, 1873
Various
Literature, Modern -- 19th century -- Periodicals; Science -- Periodicals
Armed with these instructions and the letters, Lassie returned home,
passed on to Louisville, and delivered her message. The general
promptly interfered, thanking her for calling his attention to the
matter. His influence, and a more exact understanding of the means and
appliances of the artful widow in obtaining information, effected her
lover's acquittal and restoration to his former position.
"I owe her my life and good name," said the tall Tennesseean, taking
Baby No. 2 from her arms. "I-uns ain't wuth such a gal."
"No," say I drily. "What did you take him for?" to her. Then I get the
answer before quoted. But my companion, with a truer perception, went
quietly up and kissed her Tennessee sister, a little to the surprise
of both, I think, but they seemed touched by the silent little tribute
more than by any words.
I have spoken of the character of the hostilities in that "debatable
land." War is a bad thing always, but when it gets into a simple
neighborhood, and teaches the right and duty of killing one's
friends and relatives, it becomes demoniac. Down about Knoxville they
practiced a better method. There it was the old game of "Beggar
your Neighbor," and they denounced and "confiscated" each other
industriously. Up in the poor hills they could only kill and burn,
and rob the stable and smoke-house. We were shown the scene of one
of these neighborhood vengeances. It is a low house at the side of
a ravine, down whose steep slope the beech forest steps persistently
erect, as if distrusting gravitation. Thirty Confederates had gathered
in that house at a country-side frolic, and the fiddle sang deep in
the night. The mountain girls are very pretty, having dark, opalescent
eyes, with a touch of gold in them at a side glance, slight, rather
too fragile figures, and the singular purity of complexion peculiar to
high lands.
Public-domain text, read in full here on John Shaqi.
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