Lippincott's Magazine of Popular Literature and Science, Volume 12, No. 30, September, 1873Various
Science
Lippincott's Magazine of Popular Literature and Science, Volume 12, No. 30, September, 1873
Various
Literature, Modern -- 19th century -- Periodicals; Science -- Periodicals
First enters a line of gentlemen bearing long sticks. Behind them come
the princesses, bowing on each hand. The princess of Wales advances
first, with a naïve, faltering, hesitating step, a strange and quite
delicious blending of timidity and child-like confidence in her
manner. Then come, walking by twos, some daughters of the queen. Then
approaches the princess of Teck (Mary of Cambridge), a large and very
jolly-looking person, with vast good-nature and a profuse smile, which
she seems to throw all over everybody. A German duchess or two
follow her. The curtsies of these German princesses are indeed quite
wonderful. After entering the hall one of them will espy (such, I
suppose, is the fiction) some persons to whom she wishes to bow, and
she then proceeds to execute a performance of some minutes' duration.
Before curtsying, she stops and seems to "shy," and looks at the
ladies as a frightened horse examines intently the object which alarms
him: she then sinks slowly backward almost to the ground, and recovers
herself with the same slowness. It would seem that such a genuflection
must be, of necessity, ridiculous. But it is not so in the least: it
is quite successful, and rather pleasing. After the ladies come the
prince of Wales and his suite. The royalties then all go upon the
stage, and after music the ball begins.
There are two sets of dancers. The princes and princesses open the
ball with the diplomatists and some of the highest nobility on the
space just in front of the dais. The rest of the hall is occupied by
the other dancers, who later in the evening find their way into the
diplomatic set. The dancing in the quadrilles and Lancers is of a
rather stately and ceremonious sort. In waltz or galop the English
always dance the same step, the _deux temps_, and the aim of the
dancing couple is to go as much like a spinning-top as possible.
They make occasional efforts to introduce puzzling novelties like the
_trois temps_, the Boston dip, etc., but, I am glad to say, without
any success. The result is, that once having learned to dance in
England, you are safe.
Public-domain text, read in full here on John Shaqi.
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