Lippincott's Magazine of Popular Literature and Science, Volume 15, No. 85, January, 1875Various
Science
Lippincott's Magazine of Popular Literature and Science, Volume 15, No. 85, January, 1875
Various
Literature, Modern -- 19th century -- Periodicals; Science -- Periodicals
But if we wish for a good specimen of the truly popular life of
Venice, it will not be necessary to wander far from the great centre
of the piazza. Coming down the Piazzetta, or Little Piazza, which
opens out of the great square at one end, and abuts on the open lagoon
opposite the island of St. George at the other, and turning round the
corner of the ducal palace, we cross the bridge over the canal, which
above our heads is bridged by the "Bridge of Sighs," with its "palace
and a prison on each hand," as Byron sings, and find ourselves on the
"Riva dei Schiavoni"--the quay at which the Slavonic vessels arrived,
and arrive still. The quay is a very broad one, by far the broadest in
Venice, paved with flagstones, and teeming with every characteristic
form of Venetian life from early morning till late into the night.
There are two or three hotels frequented by foreigners on the Riva,
for the situation facing the open lagoon is an exceptionally good one;
and there are three or four caffès at which the cosmopolitan and not
too aristocratic visitor may get an excellent cup of coffee (for the
Venetians, thanks to their long connection with the East, know
what coffee is, and will not take chiccory or other such detestable
substitutes in lieu of it) for the modest charge of thirteen
centimes--just over two cents--and study as he drinks it the moving
and ever-amusing scenes enacted before his eyes. His neighbor perhaps
will be an old gentleman, the very type of the old "pantaloon" whose
mask was in the old comedy supposed to be the impersonation of
Venice. There are the long, slender and rather delicately-cut features
terminating in a long, narrow and somewhat protruding chin; the high
cheek-bones, the lank and sombre cheeks, the high nose, the dark
bright eye under its bushy brow. He is very thin, very seedy, and
evidently _very_ poor. But he salutes you, as you take your seat
beside him, with the air of an ex-member of "The Ten;" his ancient
hat and napless coat are carefully brushed; his outrageously high
shirt-collar and voluminous unstarched neckcloth, after the fashion of
a former generation, though as yellow as saffron, are clean; and his
poor old boots as irreproachable as blacking--which can do much, but,
alas! not all things--can make them. His expenditure of a penny will
entitle him not only to a cup of coffee, as aforesaid, but also to a
glass of fresh water, which has been turned to an opaline color by
the shaking into it of a few drops of something which the waiter drops
from a bottle with some contrivance at its mouth, the effect of which
is to cause only a drop or two of the liquor, whatever it may be, to
come out at each shake. Our old friend is also entitled, in virtue of
his expenditure, to occupy the chair he sits on for as many hours as
he shall see fit to remain in it. And after the coffee, which must
be drunk while hot, has been despatched, the sippings of the opaline
Public-domain text, read in full here on John Shaqi.
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