Lippincott's Magazine of Popular Literature and Science, Volume 15, No. 88, April, 1875Various
History
Lippincott's Magazine of Popular Literature and Science, Volume 15, No. 88, April, 1875
Various
Literature, Modern -- 19th century -- Periodicals; Science -- Periodicals
Some visitors to the Eternal City leave it without having found time to
see this one of its wonders, while others are driven by the sad
inelasticity of the hours to leave a different class of objects for
"another time." But it may be safely asserted that none who have been at
Rome for even twenty-four hours ever left it without having had their
attention forcibly arrested by the groups of painters' and sculptors'
models--the former mainly--who haunt the upper part of the great steps
that lead up from the Piazza di Spagna to the Trinità di Monti, and
perhaps even more specially the corner where the Via Sistina falls into
the Piazza Barberini. But very few probably have asked for, and fewer
still obtained, information as to who and what these people are, and
whence they come. Yet to an attentive observer many points about the
appearance of these groups must suggest that a curious interest might
attach itself to the reply to such questions. There are sights in Rome
of grander and greater interest, but there is nothing in all the famous
centre of the Catholic world more distinctively, essentially and
exclusively Roman, more unlike anything that is seen elsewhere, more
instinct with _couleur locale_, than these singularly picturesque groups
of nomads.
Let us, then, take a stroll among them, starting from that bright centre
of the foreigners' quarter of Rome, the Piazza di Spagna. It is a
brilliant January day, and, we will say, ten o'clock in the morning. In
the Via Babuino and the neighboring streets, which the sun has not yet
visited, the morning cold is a little sharp. _Matutina parum cautos jam
frigora mordent_. But the magnificent flight of the great stair--there
are properly eleven flights, divided by as many spacious and handsomely
balustraded landing-places, each flight consisting of twelve steps, and
all of white marble--with its southern exposure has almost the
temperature of a hothouse. There are two or three beggars basking in the
sunshine near the bottom of the steps. But our models do not consort
with these. Not only are they not beggars, but they belong to a
different caste and a different race. We leisurely saunter up the huge
stair, pausing at each landing-place to turn and enjoy the view over the
city, and the gradually rising luminous haze around the cupola of St.
Peter's, and the heights of Monte Mario clear against the brilliant blue
sky. It is not till we are at the topmost flight that we come upon the
objects of our ramble. There we fall in with a group of them, consisting
perhaps of three or four girls, as many children, a man in the prime of
life, and an aged patriarch. There is not the smallest possibility that
we should pass them unobserved. They are far too remarkable and too
unlike anything else around us. Even those who have no eye for the
specialties of type which characterize the human countenance will not
fail to be struck by the peculiarities of the costume of the group of
figures before us.
Public-domain text, read in full here on John Shaqi.
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