Patentee_, and the summary which he gives, as far as possible in the narrator's own language, presents a graphic picture of the provincial stage at a period when it formed a real nursery of talent for the metropolitan theatres, enriched with anecdotes of Foote and Garrick as lively and dramatic as any of the scenes in their own farces, and affording the strongest confirmation of their protégé's account of his unrivaled mimicry. The story of George Anne Bellamy, and that of Mrs. Robinson, the "Perdita" of a somewhat later day, deal with the more familiar and less obsolete vicissitudes of betrayed beauty, while giving us glimpses of a social crust that has since been replaced by a more composite exterior. A deeper and far more pathetic interest attaches to the brief career of Gerald Griffin, the author of _The Collegians_ and _Gisippus_, who, had he lived in our day, would have been in danger of having his head turned by premature success, instead of being heart-sickened by long neglect and coarse rebuffs, and smothering his aspirations in a convent. In striking contrast with this pale figure is the portly and imposing one of Robert William Elliston, type of theatrical charlatans, embodiment of bombast and puffery, monarch over the realm of pasteboard, immortalized by Lamb, and surely not undeserving of the honor. With him may be said to have ended the line of the eccentrics, which fills a large space in Mr. Fitzgerald's volume. The great actors are comparatively unnoticed, Garrick, Siddons and Kean being only introduced incidentally, while a whole chapter is given to "the ill-fated Mossop." This is consistent with the general design of the book, but there was no good reason for a fresh repetition of the oft-told tale of the Ireland forgeries. There are, as Mr. Fitzgerald remarks, many subjects--such as the lives of Macklin and Quin, of Mrs. Inchbald and Mrs. Jordan--omitted which might fairly have claimed a place, and which would furnish ample matter for a second and equally agreeable volume. Democracy and Monarchy in France from the Inception of the Great Revolution to the Overthrow of the Second Empire. By Charles Kendall Adams, Professor of History in the University of Michigan. New York: Henry Holt & Co.