Lippincott's Magazine of Popular Literature and Science, Volume 15, No. 88, April, 1875Various
History
Lippincott's Magazine of Popular Literature and Science, Volume 15, No. 88, April, 1875
Various
Literature, Modern -- 19th century -- Periodicals; Science -- Periodicals
victim to the jealousy of the boyards and to his own arrogance, and was
solemnly deposed by a council. To the Raskol his deposition appeared in
the light of a justification of their own course. The condemnation of
the reformer seemed necessarily to involve the condemnation of the
reform. Great, then, was the popular bewilderment when the council
turned from deposing the author of the liturgic revision to hurl its
anathemas against those who opposed that revision. The share taken in
this excommunication by the Oriental patriarchs rather lessened than
added to its weight, since the dissenters denied to Greek and Syrian
bishops, who knew not a letter of the Slavonic alphabet, the right of
passing judgment on Slavonic books.
The theological world is no stranger to subtleties, but never perhaps
did causes so trifling breed such interminable quarrels. The sign and
the form of the cross, the heading of processions westward or eastward,
the reading of a particular article of the Creed, the spelling of the
name of Jesus, the inscription to be placed over the crucifix, the
single or double repetition of the Hallelujah, the number of eucharistic
wafers to be consecrated,--such are the leading points in the
controversy which ever since has rent the Russian Church. The orthodox
make the sign of the cross with three fingers, while the dissenters
follow the Armenian practice of only two. The former permit the cross
with four arms, like our own: the latter cannot away with any but that
with eight arms, with a crosspiece for the Saviour's head and another
for his feet. Since the reform the Church chants the Hallelujah thrice,
the Raskolniks only twice. The dissenters defend their persistence by
symbolical interpretations, and delight to make a profession of faith
out of the simplest rite. For instance, they insist that after their
fashion of making the sign of the cross the three closed fingers render
homage to the Trinity, while the two others testify to the double nature
of Christ, so that, without uttering a word, the sign of the cross is an
act of adherence to the three fundamental dogmas of Christianity--the
Trinity, the incarnation and the atonement. In like manner they
interpret the double Hallelujah following the three Glorias, and cast it
in the teeth of their opponents that they ignore in their ritual one or
another of the great Christian doctrines. Such interpretations, based on
corrupted texts or feigned visions, show the grotesque blending of
coarseness and subtlety which makes up the Raskol.
Public-domain text, read in full here on John Shaqi.
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