ground is called the _Pincetto_--as who should say the "Little Pincian"--a name adapted from that of the celebrated promenade of the gay and fortunate in life, with a suggestion of meaning so satirical that it might seem to have been given to the "fashionable" quarter of the dead city by the united sneers of all the ghosts who haunt the undistinguished graves below. In this aristocratic quarter there is of course no monotonous uniformity. The monuments, some of freestone and some of marble, are of every conceivable form and degree of splendor, and death is made to look pretty and coquettish by the introduction of numerous weeping willows and other such botanical helps to sentiment. The great majority of the inscriptions are in Latin, for Pius IX., so long as his power lasted, absolutely forbade the use of any other language; which was a measure of very questionable judiciousness, seeing that a large crop of Latinity by no means creditable to Italian scholarship has been the result. It would have been better to stick to good Della-Cruscan Italian, or to have employed some English school-usher to come here as resident reviser of Roman Latinity. Inelegant and even ungrammatical inscriptions, however, do not interfere with the general picturesqueness of the spot, or with its singular adaptation to show to advantage the remarkable scene enacted there on the last "Giorno dei Morti." The cemetery had been visited by great numbers of persons, bringing chaplets and flowers, during the day, both in the aristocratic and the plebeian quarters, but it was at night that the crowd was greatest and the scene most striking. The night, as it so chanced, was a dark one, which did not make the scene by any means less strange and weird-looking. The greater number of visitors, especially in the poor quarter of the dead city, were women. Such is always the case, whether it be that the female mind is more generally accessible to gentle thoughts of and yearnings over their lost ones, or whether the explanation be simply that, as is especially the case here, women, having less to occupy their leisure either in the way of business or amusement, are more eager to seek any emotion or occasion which may serve to break the flat monotony of their lives.