Lippincott's Magazine of Popular Literature and Science, Volume 15, No. 89, May, 1875Various
Science
Lippincott's Magazine of Popular Literature and Science, Volume 15, No. 89, May, 1875
Various
Literature, Modern -- 19th century -- Periodicals; Science -- Periodicals
attained at the cost of artistic deadness is and must be the result. The
individuality, the soul of the artist, the expression which his cunning
hand can put into his work, is found to have been lost, evaporated in
the process. What is the special value, of which the world has heard so
much lately, of an etching? A first-rate engraving is _per se_ a more
beautiful thing than an etching; but the value, the charm of the latter
is that it is the work of the hand which was directed by the designer's
brain--that, in a word, there is no division of labor in the production
of the result. And it is impossible to avoid the conviction that the
wonderfully artistic feeling and power which pervades the work in the
Duomo of Perugia are due in a great measure to the fact that there has
been no division of labor in the production of it.
Truly, it was a remarkable and striking scene, that strange workshop,
appealing very powerfully to the imagination, and carrying the
visitor very forcibly out of the ordinary surroundings of this
nineteenth-century world, and back to the habits, ways and associations
of the great centuries of art. There in the midst of it was the
master-spirit, the artist; and in truth he was, mere outward
circumstances of costume apart, a worthy representative of the olden
time, and one well calculated to carry on and complete the illusion.
Signor Francesca Moretti is a man, I should suppose, on the better side
of forty, of a tall, stalwart figure, such as becomes a genuine workman,
with a bearded face which, put a velvet toque above it, might well
recall some of the heads which the wood-cut blocks in the old editions
of Vasari have preserved for us. A modest, unassuming man--that one
might, _a priori_, have been quite sure of--delighted to talk of his
work and of the processes connected with them, doing so with frankness,
enthusiasm and unreserve--utterly above the affectation of mystery or
secresy as to his _modus operandi_, and quite ready to say to all the
world, "Do the same if you will, and better if you can." I need hardly
say that he received us with the utmost courtesy, and with that
genuinely unaffected simplicity of manner which is the heritage and the
specialty of genius, and is the true workman's patent of gentlemanhood.
Public-domain text, read in full here on John Shaqi.
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