Lippincott's Magazine of Popular Literature and Science, Volume 15, No. 90, June, 1875Various
Science
Lippincott's Magazine of Popular Literature and Science, Volume 15, No. 90, June, 1875
Various
Literature, Modern -- 19th century -- Periodicals; Science -- Periodicals
She was standing on the brink of the rock with her back to the danger.
A moment she wavered: then Maurice could restrain himself no longer,
but, extending his arm, he rushed toward her.
A little step backward, a shy movement to yet delay the consent that
was already on her lips, a fall, a splash, and the waters of the lake
closed over the body of Fay Lafitte.
To save her or lose himself was the resolution of the doctor as he
leapt to the rescue. He was a good swimmer, and soon came to the
surface after the plunge, but the shadow of the rock retarded his
search. At last he found her, and then a new difficulty, that of
landing, presented itself. The shore was covered with a fringe of
impenetrable brushwood, which gave him the scantiest support, and it
was impossible to mount the face of the rock. Almost in despair, he
looked across the water, where he saw in the moonlight a fisherman's
boat. Slowly the little craft obeyed his repeated calls for help.
Sturdy arms relieved him of his insensible burden, while he, scarcely
taking time to climb beside her, hoarsely bade the men row for their
lives.
It is needless to describe the scene of confusion which followed on
their arrival at the hotel. The only practical man there was Dr.
Grey, who gave orders and applied remedies with desperate energy.
His persistence was rewarded: the veined lids opened, the white
lips parted, intelligence returned: she spoke, and Maurice
threw himself on his knees and bent over her that he might
catch the words. "My warning was true," she whispered slowly,
"but--I--am--willing--to--die--for--loving--you." Then perception faded
from those gentle eyes, breathing ceased, the muscles relaxed. Fay was
dead.
And the doctor?
He afterward married his cousin: she was so kind to him at the time of
his sad affliction.
ITA ANIOL PROKOP.
A SCENE IN THE CAMPAGNA.
Public-domain text, read in full here on John Shaqi.
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