Lippincott's Magazine of Popular Literature and Science, Volume 15, No. 90, June, 1875Various
Science
Lippincott's Magazine of Popular Literature and Science, Volume 15, No. 90, June, 1875
Various
Literature, Modern -- 19th century -- Periodicals; Science -- Periodicals
At length the hospitably busy mercante di campagna has seated all his
guests, and the work of the day may begin. Some half dozen or so of
butteri and their aids enter the arena, which is thoroughly enclosed
on all sides by high and secure palisades. The long cloaks are
discarded now, as may be supposed. I hardly know when else the butteri
are to be seen without them or on foot. Now they are seen as succinct
as may be. Every muscle is braced up for the coming struggle, and
there may be observed something in the faces and bearing of the men
that indicates that the work in hand is not expected to be child's
play. They stand in a group in the middle of the enclosed space. The
day's work will begin with the most arduous part of it--with that
which needs all the fresh strength and address of the men--the marking
of the buffaloes. A young buffalo bull, not yet grown to his full
strength, but yet abundantly powerful enough to be a very formidable
antagonist, is driven into the arena, and the gate by which he has
entered is immediately closed behind him. Many a yearling of the more
domesticated breeds is a larger and heavier animal, and yet most men
would, if they were compelled to such a struggle, prefer to measure
their force against an animal of the latter class than against this
half-savage creature. He may be considered, indeed, to be wholly
savage, save in so far as he may be supposed to inherit from his
progenitors the nature of a race that man has more or less perfectly
subjected and compelled to labor. On first entering the arena he
tosses up his head and shakes the shaggy black locks of wiry hair from
before his small wicked-looking eyes, looks half alarmedly, half
defiantly around, and stamps three or four times with one fore foot on
the ground, partly, as it would seem, in wonder and doubt, and partly
in increasing anger. Then he trots slowly round the enclosure,
starting aside and shying as the bright colors of the ladies' dresses
(at safe distance behind the palisades) catch and offend his eye.
Evidently he is seeking an egress and escape from a scene which must
appear to him so wondrous and full of strange and unknown dangers. But
he has soon satisfied himself that there is no way out, that his
enemies have encompassed him about on every side. Then once again he
throws his shaggy head into the air, shaking his short thick curly
horns in a very menacing manner, and this time accompanying the action
with a loud bellow, the compound expression of fear, wonder and wrath.
Public-domain text, read in full here on John Shaqi.
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