Lippincott's Magazine of Popular Literature and Science, Volume 15, No. 90, June, 1875Various
Science
Lippincott's Magazine of Popular Literature and Science, Volume 15, No. 90, June, 1875
Various
Literature, Modern -- 19th century -- Periodicals; Science -- Periodicals
The principal chiefs did not join in the dance, and two
or three came up into the room where we were.
The dresses of the dancers were varied and splendid. Most of them wore
the usual trousers or Indian leggings of blue cloth, cut off below the
hips, with another cloth for the loins, and those that had no trousers
had their legs painted. Embroidered blankets of blue or red cloth,
moccasins, belts, tobacco-pouches, and cases for scalping-knives, all
beaded, with glittering arms and tomahawks, hung about them
everywhere, but the chief piece of finery was the war-bonnet; and a
tremendous show it made. A turban of fur or scarlet cloth went round
the head, adorned with tall eagles' feathers in a crown, such as we
see upon the wooden figures before cigar-shops, and from this hung
down a long piece of scarlet cloth, about a quarter of a yard wide,
and long enough to trail on the ground a yard or two behind. This was
ornamented with a fringe of eagles' feathers on each edge, like the
backbone of a fish, and as it waved about nothing could be more
superb. The savage dandies were evidently proud of their appearance,
and to say that they were "got up regardless of expense" was simply a
fact, for their wardrobes must have cost considerable sums--half a
dozen ponies at least. Standing in a circle, they danced, shouting and
singing. It was a slow measured step, but no more like dancing than
their singing was like singing. Another gorgeous circle was formed on
the other side of the stockade, and both parties kept up this weird
dance with great gravity. One young fellow laughed, twisted about,
and conducted himself a little like a harlequin. All held the hands
upon the haunches and bent forward. This was called an Omaha dance.
After a while all stopped dancing, and one of the squad of chiefs rode
into the circle and began to relate his experience, while at every
pause the emphasis was given by a strange roll of the drum. He was
telling some savage exploit, the interpreter said, against the
Pawnees. The crowd applauded with wild grunts and savage cries. Then
the circle rose and danced again, then another chief spoke, and so on,
some on foot and some on horseback, till one whom we had selected as
the most grotesque horror of the whole came into the circle. He was
painted all over a greenish-rhubarb color, like a stagnant pool: his
chin was blue, his face was streaked with red. He wore a very short
shirt of deer-skin, with a very deep fringe of black horsehair. Though
sansculotte, his legs were painted with red and blue hands on the
rhubarb ground: all over his horse were these red and blue hands and
red stripes, and the beast had a red mane and tail. This villain, who
had a most appropriate name, unmentionable to ears polite, completed
his charms with a great pair of blue goggles. The red stripes upon his
horse signified how many horses he had taken--the red hands, the
number of prisoners.
Public-domain text, read in full here on John Shaqi.
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