Lippincott's Magazine of Popular Literature and Science, Volume 17, No. 098, February, 1876Various
History
Lippincott's Magazine of Popular Literature and Science, Volume 17, No. 098, February, 1876
Various
Literature, Modern -- 19th century -- Periodicals; Science -- Periodicals
There was no point of color in the landscape save the brown foliage of
the shivering beech trees, a few coarse splashes of yellow weeds, and
here and there a trail of dying crimson leaves threading the barren
hedgerows. Everything was "sombre, lifeless, mournful", and even Edgar
Harrowby, though by no means sentimentally impressionable to outward
conditions, felt, as he rode through the deserted lanes and looked
abroad over the stagnant country, that life on the off-hunt days was
but a slow-kind of thing at North Aston, and that any incident which
should break the dead monotony of the scene would be welcome.
He had been thinking a great deal of Adelaide for the last four or
five days, since she had dined at the Hill, and making up his mind to
take the final plunge before long. He was not in love with her, but
she suited, as has been said; and that was as good as love to
Edgar, who had now to take up his squiredom and country gentleman's
respectability, after having had his share of a young man's "fling" in
rather larger proportion than falls to the lot of most. All the same,
he wished that her face had more expression and that her eyes were
perfectly straight; and he wanted to see Leam Dundas.
He had made a long round to-day, and was turning now homeward, when,
as he had almost crossed the moor, athwart which his road led, he saw
standing on a little hillock, away from the main track, the slight
figure of a woman sharply defined against the sky. She was alone,
doing nothing, not seeming to be looking at anything--just standing
there on the hillock, facing the north-west, as if for pleasure in the
rough freshness of the breeze.
The wind blew back her dress, and showed her girlish form, supple,
flexible, graceful, fashioned like some nymph of olden time. From her
small feet, arched and narrow, gripping the ground like feet of steel,
to the slender throat on which her head was set with so much grace
of line, yet with no sense of over-weighting in its tender curves, an
expression of nervous energy underlying her fragile litheness of form,
a look of strength--not muscular nor the strength of bulk or weight,
but the strength of fibre, will, tenacity--seemed to mark her out as
something different from the herd.
Edgar scarcely gave this vague impression words in his own mind, but
he was conscious of a new revelation of womanhood, and he scented an
adventure in this solitary figure facing the north-west wind on the
lonely moor.
Public-domain text, read in full here on John Shaqi.
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