Once or twice before the hegira of the gentry she had chanced to meet Major Harrowby in her rides, and he had turned with her and accompanied her, which was half a pain to' Leam and half a pleasure. The pain was connected with her reins and her stirrups, her saddle and the girths, the restless way in which the chestnut moved his ears, the discomposing toss of his small impatient head, the snorts which frightened her as the heralds of an outbreak, and his inclination to dance sideways into the hedge rather than walk discreetly in the middle of the road, whereby her seat was disturbed and her courage tried, she all the while not liking to show that she was ill at ease. The pleasure was personal, arising from the strange sense of protection that she felt in Edgar's society and the charming way in which he talked to her. He had seen a great deal, and he had a facile tongue, and between fact and color, memory and make-up, his stories were delightful. Also, after the manner of men who seek to influence a young girl's mind and heart, he lent her books to read, and he marked his favorite passages, which he discussed afterward. They were not passages of abstract thought and impersonal sentiment, like the penciled notes in Alick Corfield's literary loans, but scenes of passion or of pathos, going straight to the heart of youth, which feels rather than reflects, or descriptions of places which were equal to pictures of human life. Under Alick's guidance she had fallen asleep over Wordsworth--under Edgar's she dreamed beneath the stars over Byron, and had heartaches without knowing why. If they had met sometimes, and by chance, before the families went away, they met now continually, and not by chance. But as Edgar's passion and reason were not in accord, he restrained himself, for him marvelously, and neither made love to her in earnest nor flirted with her in jest. Indeed, Leam was too intense to be approached at any time with levity. As well dress the Tragic Muse in the costume of a Watteau shepherdess as ply Leam Dundas with the pretty follies found so useful with other women. She did not understand them, and it seemed useless to try to make her. If Edgar paid her any of the trivial compliments always on his lips for women, Leam used to look at him with her serious eyes and ask him how could he possibly know what she was like--he, who scarcely knew her at all. If he praised her beauty, she used to turn away her head offended and tell him he was rude. He felt as if he could never touch her, never hold her: his ways were not as hers; and if her fascination for him increased, so did his trouble.