Lippincott's Magazine of Popular Literature and Science, Volume 17, No. 099, March, 1876Various
Science
Lippincott's Magazine of Popular Literature and Science, Volume 17, No. 099, March, 1876
Various
Literature, Modern -- 19th century -- Periodicals; Science -- Periodicals
With faithful heart and hopefully
Approach I now Love's sacred bower,
And cast this wistful song at thee,
This fragrant song, as question-flower.
Accept with joy or scornfully,
Give my heart death or consolation,
Cast rosebud, rose, or thorn at me,
I humbly wait thy revelation.
Smilingly the maiden cast a rosebud at her waiting suitor, and for the
first time fully displayed to him her beauteous face. From this moment
new life dawned on our Mirza, and for six weeks he basked in the
sunshine of felicity ere threatening clouds loomed up in his horizon.
Then Ibrahim Chan returned from the war, and with him came his
daughter's suitor. A troop of horsemen had been despatched to Avaria
for the bridal gift, and on their return they were to conduct Achmed
Chan and his chosen lady home. Prize combats and festivities were
planned to celebrate the return of the heroes, and at Zuléikha's
request a singing festival was likewise to take place. All the singers
of the land were invited and bidden to prepare their choicest lays
extolling the sovereign lady of the fête: to the victorious competitor
would be accorded the right to break the instruments of his opponents.
Now was the time for Mirza-Schaffy to gather all his courage, for he
knew the crisis of his destiny to be at hand. He arranged with Fatima
that the day of the singing festival should be likewise that of his
flight with Zuléikha, for he was troubled with no doubt concerning
the success of his lyrical efforts. An Armenian who was about setting
forth with a caravan was confided in, and engaged to reserve camels
for and accord protection to the fugitives.
The minutes seemed like days, the hours like years, until the
announcement was heralded that Ibrahim Chan had sallied forth with his
guests to the prize combat, and that the ladies awaited the minstrels.
They were assembled on the housetop, lovely matrons and maidens, and
there was spread a large carpet on which set two players on the _sass_
and _tshengir_, between whom each singer in turn took his place to
sing his offering to the sound of strings. The handsomest boy
in Gjändsha was appointed to hand to each singer a silver plate,
wherewith to conceal from the eye of beauty the emotions depicted in
his countenance while singing. Twenty singers stood in a circle and
stepped forth one after the other, Mirza-Schaffy, as the youngest
of the number, coming last. All other emanations he felt to be
faint sparks in comparison with the fire of his own. How could it be
otherwise, considering the source of his inspiration? As he sang his
heart swelled with ecstasy, and when he concluded there lay at his
feet a full-blown rose. He was victor of the festival, yet so filled
was he with thoughts of his beloved that he remembered not to break
the instruments of the vanquished.
Public-domain text, read in full here on John Shaqi.
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