Lippincott's Magazine of Popular Literature and Science, Volume 17, No. 101, May, 1876Various
History
Lippincott's Magazine of Popular Literature and Science, Volume 17, No. 101, May, 1876
Various
Literature, Modern -- 19th century -- Periodicals; Science -- Periodicals
And indeed I thought on my way to the Latkins how it was possible that
I did not notice Raissa. Where had she disappeared to? She must have
seen--Suddenly I remembered that at the very moment David was falling
a heartrending shriek had sounded in my ears. Was it not she? But
in that case why did I not see her? Before the hovel in which Latkin
lived was an empty space covered with nettles and surrounded by a
broken, tottering fence. I had hardly got over this fence--for there
was no gate or entrance--before my eyes were greeted with this sight:
On the lowest step in front of the house sat Raissa, her elbows on
her knees and holding her chin in her folded hands: she was looking
straight out into vacancy. Near her stood her little dumb sister,
playing quietly with a whip, and before the steps, with his back to
me, was Latkin in a shabby, torn jacket, his feet in felt slippers,
bending over her and brandishing his elbows and stalking about. When
he heard my steps he turned round, leant down on the tips of his toes,
and then suddenly sprang at me and began to speak with unusual speed
in a quivering voice and with an incessant "Choo, choo, choo!" I was
amazed. It was long since I had seen him, and I should scarcely
have known him if I had met him anywhere else. This wrinkled, red,
toothless face, these small, round, dull eyes, this tangled gray hair,
these contortions and motions, this senseless, wandering talk,--what
does it all mean? What cruel suffering torments this unhappy being?
What a dance of death is this!
"Choo, choo, choo," he muttered, bending over continually: "see them,
the Wassilievna--she's just come, with a trou--a trough on the roof"
(he struck his head with his hand), "and she sits there like a shovel,
and cross, cross as Andruscha, the cross Wassilievna" (he meant,
probably, "mute"). "Choo; my cross Wassilievna! Now they are both on
one last--just see her! I have only these two doctors."
Latkin was evidently aware that he was not saying what he meant, and
he made every effort to explain matters to me. Raissa, apparently, did
not hear what he was saying, and her little sister went on snapping
her whip. My head grew confused. "What does it all mean?" I asked of
an old woman who was looking out of the window of the house.
"What does it mean, sir?" answered she in a sing-song voice. "They say
some one--Heaven knows who it was--tried to drown himself, and she saw
him. That frightened her, but she managed to get home: no one noticed
anything strange, and she sat down there on the threshold, and since
then she's sat there like an image, whether one speaks to her or not.
It's as if she had no tongue."
"Good-bye! good-bye!" repeated Latkin, still with the same gestures.
I walked to Raissa and stood just before her. "Raissa," I cried, "what
is the matter?"
She made no answer: it was as if she had not heard me. Her face was no
paler, nor in any way different, except that it had a stony look and
an expression of slight fatigue.
Public-domain text, read in full here on John Shaqi.
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