Lippincott's Magazine of Popular Literature and Science, Volume 17, No. 102, June, 1876Various
Science
Lippincott's Magazine of Popular Literature and Science, Volume 17, No. 102, June, 1876
Various
Literature, Modern -- 19th century -- Periodicals; Science -- Periodicals
But it was true. The child's bronzed yellow skin and soft eyes were not
unlike the dog's, but her head was crowned with a mass of short black
curls, while Drollo had only his two great flapping ears and his low
smooth head. Give him an inch or two more of skull, and what a creature
a dog would be! For love and faithfulness even now what man can match
him? But, although ugly, Felipa was a picturesque little object always,
whether attired in boy's clothes or in her own forlorn bodice and skirt.
Olive-hued and meagre-faced, lithe and thin, she flew over the pine
barrens like a creature of air, laughing to feel her short curls toss
and her thin childish arms buoyed up on the breeze as she ran, with
Drollo barking behind. For she loved the winds, and always knew when
they were coming--whether down from the north, in from the ocean, or
across from the Gulf of Mexico: she watched for them, sitting in the
doorway, where she could feel their first breath, and she taught us the
signal of the clouds. She was a queer little thing: we used to find her
sometimes dancing alone out on the barren in a circle she had marked out
with pine-cones, and once she confided to us that she talked to the
trees. "They hear," she said in a whisper: "you should see how knowing
they look, and how their leaves listen."
Once we came upon her most secret lair in a dense thicket of
thorn-myrtle and wild smilax, a little bower she had made, where was
hidden a horrible-looking image formed of the rough pieces of
saw-palmetto grubbed up by old Bartolo from his garden. She must have
dragged these fragments thither one by one, and with infinite pains
bound them together with her rude withes of strong marsh-grass, until at
last she had formed a rough trunk with crooked arms and a sort of a
head, the red hairy surface of the palmetto looking not unlike the skin
of some beast, and making the creature all the more grotesque. This
fetich was kept crowned with flowers, and after this we often saw the
child stealing away with Drollo to carry to it portions of her meals or
a new-found treasure--a sea-shell, a broken saucer, or a fragment of
ribbon. The food always mysteriously disappeared, and my suspicion is
that Drollo used to go back secretly in the night and devour it, asking
no questions and telling no lies: it fitted in nicely, however, Drollo
merely performing the ancient part of the priests of Jupiter, men who
have been much admired. "What a little pagan she is!" I said.
"Oh no, it is only her doll," replied Christine.
I tried several times to paint Felipa during these first weeks, but
those eyes of hers always evaded me. They were, as I have said before,
yellow--that is, they were brown with yellow lights--and they stared at
you with the most inflexible openness. The child had the full-curved,
half-open mouth of the tropics, and a low Greek forehead. "Why isn't she
pretty?" I said.
"She is hideous," replied Christine: "look at her elbows."
Public-domain text, read in full here on John Shaqi.
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