picturesque in spite of details--from its dark-green, misty parks, the way the light comes down leaking and filtering from its cloudy skies, and the softness and richness of tone which objects put on in such an atmosphere as soon as they begin to recede. Nowhere is there such a play of light and shade, such a struggle of sun and smoke, such aerial gradations and confusions. To eyes addicted to the picturesque this is a constant entertainment, and yet this is only part of it. What completes the effect of the place is its appeal to the feelings, made in so many ways, but made above all by agglomerated immensity. At any given point London looks huge; even in narrow corners you have a sense of its hugeness, and petty places acquire a certain interest from their being parts of so mighty a whole. Nowhere, else is so much human life gathered together and nowhere does it press upon you with so many suggestions. These are not all of an exhilarating kind; far from it. But they are of every possible kind, and this is the interest of London. Those that were most forcible during the showery Easter season were certain of the more perplexing and depressing ones; but even with these was mingled a brighter strain. I walked down to Westminster Abbey on Good Friday afternoon--walked from Piccadilly across the Green Park and through St. James's Park. The parks were densely filled with the populace--the elder people shuffling about the walks and the poor little smutty-faced children sprawling over the dark damp turf. When I reached the Abbey I found a dense group of people about the entrance, but I squeezed my way through them and succeeded in reaching the threshold. Beyond this it was impossible to advance, and I may add that it was not desirable. I put my nose into the church and promptly withdrew it. The crowd was terribly compact and, beneath the Gothic arches, the odor was not that of incense. I slowly eliminated myself, with that very modified sense of disappointment that one feels in London at being crowded out of a place. This is a frequent disappointment, for you very soon find out that there are, selfishly speaking, too many people. Human life is cheap; your fellow-mortals are too plentiful. Whereever you go you make the observation. Go to the theatre, to a concert, to an exhibition, to a reception; you always find that, before you arrive, there are people enough on the field. You are a tight fit in your place wherever you find it; you have too many companions and competitors. You feel yourself at times in danger of thinking meanly of the human personality; numerosity, as it were, swallows up quality, and such perpetual familiarity contains the germs of contempt. This is the reason why the perfection of luxury in England is to own a "park"--an artificial solitude. To get one's self into the middle of a few hundred acres of oak-studded turf and to keep off the crowd by the breadth, at least, of this grassy cincture, is to enjoy a