Lippincott's Magazine of Popular Literature and Science, Volume 20. July, 1877.Various
Science
Lippincott's Magazine of Popular Literature and Science, Volume 20. July, 1877.
Various
Literature, Modern -- 19th century -- Periodicals; Science -- Periodicals
Thus the days went on, not too slowly, till Leonie had entered her
nineteenth year and approached the close of her studies. The finest
concerts of Paris and the most exclusive are those of the Conservatoire,
six in number, which occur once a fortnight from the middle of January
to the middle of April. Leonie had often sung in the small concert-hall
at examinations and private exercises, but now she was to sing in the
Salle de Spectacle for the celebrated Societe des Concerts. This
wonderful company is composed mostly of the professors and teachers at
the Conservatoire, and it is a rare honor for a pupil to sing or play at
these concerts; but Leonie was a rare pupil, and whatever may be said of
the jealousy of artists, I hold that true genius always exults in the
recognition of genius. Leonie sang in each of the six concerts of her
last year at the Conservatoire, and her singing gave exquisite delight
to the appreciative listeners: the applause was heart-felt,
enthusiastic, inspiring. But on the last night her father's rapture and
pride reached their height. The beautiful concert-hall, so refined and
classic with its Pompeii-like decorations, was filled with the most
brilliant audience of a most brilliant city. The symphony had ended, and
Leonie was to sing some selections from the opera of _Fidelio_. The
applause which greeted her as she advanced on the stage was perhaps a
tribute to her superb beauty and perfect grace. She was paler than
usual, her large black eyes were full of that intense light which only
emotion gives, but she showed no embarrassment, and felt none. She saw
not the faces, heard not the plaudits. She was alone with her art. Her
soul went forth into the song, and one listened in rapture, touched with
pain that aught so sweet should be so evanescent. When the wonderful
voice seemed to die like a vanishing soul there was silence for a
moment--silence most eloquent of eulogies--and then came a burst of
applause, the most enthusiastic that ever relieved a listener's heart or
charmed a singer's ear.
The concert ended. Her father, proud and exultant, clasped her in his
arms. Did he hear the whispers that Leonie's quick ear caught? "Colonel
Regnault's daughter, the opera-singer's child. You remember that old
story?"--"Ah, indeed! Wonderfully like her mother: more distinguished
manner. Something of her father too. Will Regnault let her go on the
stage, do you think?"--"I cannot tell. Il est fou d'elle. He brings her
up in his own family."--"Vraiment? Good wife, Madame Regnault." Leonie
shrank involuntarily from her father's embrace.
The competitive examinations came, and naturally Leonie received the
highest prize in singing.
"I do not envy you, mademoiselle," said one of the unsuccessful
candidates with a look and tone that accentuated the sneer: "there are
other things that people inherit besides their musical talents."
Public-domain text, read in full here on John Shaqi.
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