Let us now pass to other parts of the island and share the nuptial-banquet. Everywhere great quantities of macaroni or of fried fish are prepared, and the guests eat and drink to repletion. Even the most miserly are liberal on this occasion, and a proverb advises one to attend the weddings of the avaricious: _A li nozzi di l'avaru trovaticci_. The bride and groom, as can be easily imagined, have their heads full of other things than macaroni and fried fish. At Borghetto baked beans and pease are served not only to the bridal-party, but also to the others, to whom, during the banquet, it is the custom to send a dish of _maccarruna di zitu_--a dish in use also in Modica until within fifty years. In Assaro there are the accustomed sweetmeats, the cakes of honey and flour, and roast pease and almonds. At the banquet, where usually these things are not lacking, they begin with macaroni, which in Milazzo is poured out on a napkin, with cheese grated over it. Then follow sausages or roast meat. At the nuptial-banquet of the peasants of Modica a dish is placed on the table intended to receive the gifts of the guests for the bride: one gives money, another gold; one a ring, another a dollar; nor do those who come last wish to be outdone by the first. At the end of the banquet come the toasts, more or less lively and witty. After the banquet follows the ball, which at Favaratta is held eight days after the wedding. The orchestra consists of two or three violins, which play the whole evening, or afternoon if the marriage took place in the daytime. The repertoire is that of the people, and embraces the dances known as the _fasola_,[24] the _tarantella_, the _tarascuri_, the _'nglisina_, the _capona_, the _chiovu_, etc. In some of the towns in the province of Palermo it is the groom who engages the musicians and conducts them to the house. In Modica they dance the _ciovu_ (the _chiovu_ above mentioned) to the accompaniment not only of violins, but also of tambourines, etc. The groom opens the ball, holding his hat in his hand and making a profound bow to the bride, who rises with alacrity and begins to dance with all her might. The groom makes another bow and sits down again, and the bride, dancing alone, makes a turn round the room and selects a partner from the guests, who in turn choose a woman, and so on in graceful alternation. In general, in large cities, there is no one who calls out the figures at the ball: the musicians play what they please, unless they are asked to change or continue a tune that has tired or pleased any one of the guests. The dancing is without any rule or order: nevertheless, there is some regularity in its execution, especially in the pantomime that accompanies it. The bride and groom dance their share: the first one with whom the bride dances is the groom, who permits her to dance with others.