With her wit and vanity, poor French and fine clothes, good common sense and warm Irish heart, Lady Morgan was a most entertaining and original character--a spirited, versatile, spunky little woman, whose whole life was a grand social success. She was also one of the most popular and voluminous writers of her day; but, with all her sparkle and dash, ambition and industry, destined in a few generations more to be almost unknown, vanishing down that doleful "back entry" where Time sends so many bright men and women. As the founder of Irish fiction--for the national tales of Ireland begin with her--and the patron of Irish song (she stimulated Lover to write "Rory O'More," and "Kate Kearney" is her own), always laboring for liberty and the interests of her oppressed countrymen, and preserving her name absolutely untouched by scandal through a long and brilliant career, she deserves a place among distinguished women. She evidently had no idea of being forgotten, and completed twenty chapters of autobiography--its florid egotism at once its fault and its charm--besides keeping a diary in later years, and preserving nearly all the letters written to her, and even cards left at her door. But on those cards were the names of Humboldt, Cuvier, Talma and the most celebrated men of that epoch, down to Macaulay, Douglas Jerrold and Edward Everett, while she could count among her intimates the noted men and women of three countries. La Fayette declared he was proud to be her friend; Byron praised her writings, and always expressed regret that he had not made her acquaintance in Italy; Sydney Smith coupled her name with his own as "the two Sydneys;" Leigh Hunt celebrated her in verse; Sir Thomas Lawrence, Ary Scheffer and other famous artists begged for the honor of painting her portrait. Was it strange after all this, and being told for half a century that she was an extraordinarily gifted and fascinating woman, that (being a woman) she should believe it?