List, Ye Landsmen! A Romance of IncidentRussell, William Clark
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List, Ye Landsmen! A Romance of Incident
Russell, William Clark
English fiction -- 19th century; Sea stories
Bol blew. Jimmy, with Galloon at his heels, arrived with the can; the
tot measure was dipped into the black liquor, lifted and emptied, and
the dram seemed to give every man heart enough to look about him with
common curiosity. One of the fellows fetched a bucket, dropped it over
the side, and hauled it up full. I drew close. It was as though a pail
of cream had been handed aboard.
I put my finger into the whiteness. It was as thin as salt water,
nothing gluey or cheesy about it, though from the bows the whiteness
rolled away from the rending slide of the cutwater as thickly and
obstinately as melted ore, and astern there was no wake; it might have
been oil.
For an hour we sailed through this sea of cream and under a dimmer sky
of white. Bald and ghostly was that passage rendered by the
shadowlessness of our decks. The sails swelled dark against the
paleness; so clear was the tracing of the fabric of mast and canvas
against the sky, that the course of so delicate a rope as the royal
backstay could be traced to the head of the mast, and you saw the jewel
block at each topsail and topgallant yardarm, clean cut as a pear on a
bough against a sunset. Greaves came to a stand opposite me and looked
me in the face.
“You make me think of my dreams of the dead,” said he; “the dead are
always pale when they come to me in dreams. Most people who dream of the
dead dream of them as they remember them in life. There is light in the
eye, and color on the cheek. They always rise before me pale from their
coffins.”
“Inspiriting talk, captain,” said I, “at such a moment! But I hope I
look no more like a dead man than the rest of us.”
“If I were an artist,” said he, “I would give many guineas out of my
earnings for the chance of beholding such a light as this; this is the
sort of light through which I would paint the Phantom Ship sailing.
Figure that wondrous ghost out upon those white waters, the pallid faces
of her men, to whom death is denied, looking over her side at the white
sky, every timber in her glowing with the jewelry of rottenness--you
know what I mean--the green phosphoric sparkling of decay. Cannot you
see her out yonder, dully gleaming with dim green crawlings of fire as
she steals noiselessly through this frothy softness, the hush of living
death upon her, the silence of catalepsy? But what is the name of the
painter, I should like to know, who is going to give us this light upon
canvas? Oh, tell me his name, Fielding, that I may offer him all the
ducats I hope to be in sight of to-morrow for his secret.”
“Less my whack.”
“Less yours. But mine, plus Tulp’s. Damn Tulp; I’ll drink his health.”
He called to Jimmy: “Two glasses of brandy-and-water, three finger-nips,
James.”
Public-domain text, read in full here on John Shaqi.
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