List, Ye Landsmen! A Romance of IncidentRussell, William Clark
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List, Ye Landsmen! A Romance of Incident
Russell, William Clark
English fiction -- 19th century; Sea stories
The romance of it all! What more romantic as a detail of ocean life
would you have? Realize that little moonlighted brig rolling over the
black heaven of the sea, Cape Horn not far off, the Cross and the
Magellanic dust overhead, nothing in sight, the moon’s wake coiling in
hills of silver under her, and in the heart of that lonely speck of brig
two young people, again and again nearly rubbing cheeks together over a
blank log book: one of them a fine, handsome Spanish woman, with dark
eyes of fire and a smile that was like light with its swift disclosure
of white teeth, and a beautiful little pale yellow hand that shone with
jewels; and the other--and the other----
She looked at the clock, and started, with a Spanish exclamation, and
said, “I will sing. You have been good. I will sing to you.” All this
she said in English. Then, in dumb show, she played a phantom guitar,
gazing at me with one of those asking looks which I could interpret as
easily as I took sights. I shook my head to her signification of a
guitar, and played on an imaginary fiddle; on which she nodded, crying
with vivacity in Spanish, “It will do! It will do!”
I put my head into the hatch and called for Jimmy. Galen sent the name
forward in a roar, and the boy arrived.
“Borrow me a fiddle,” said I.
When he returned he held a fiddle and a fiddlestick; but this unusual
appeal of the cabin to the forecastle had roused curiosity, and a number
of the men followed Jimmy to the quarter-deck. I heard their softened
footfalls, and caught a glimpse of their figures as they stood round
about the skylight, scarce sensible that they were visible through the
black glass. The lady took the fiddle and the bow from the lad, who
withdrew. She put the fiddle to her neck, tuned it, and played a short,
merry air. I had not known that she played the fiddle. I guessed she had
asked for the instrument to twang an accompaniment upon. She played a
second sweet and merry air; the melody was full of beauty and humor.
Someone overhead tapped the deck in time to it. I took care not to look
up, willing that the fellows should listen, though they had no business
aft.
“How do you like that?” said the lady in Spanish.
“It is sweet and good. Give me more.”
She put down the bow, and, laying the fiddle across her knees, twanged
it. She kept her eyes fastened upon me, and, when she had tweaked the
fiddlestrings, she shrugged her shoulders and laughed; then, before the
laugh had fairly left her lips, she burst into song, singing with that
clear, full-throated richness of voice which poor Greaves had predicted
her the possessor of. She filled the cabin with her song. She would have
filled the biggest theater in Europe with it. Her voice was thrilling
with volume and power, and her eyes were full of a gay triumph as she
sang, as though she would say, “This is news to you, my friend.”
Public-domain text, read in full here on John Shaqi.
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