Literary Character of Men of Genius: Drawn from Their Own Feelings and ConfessionsDisraeli, Isaac
General
Literary Character of Men of Genius: Drawn from Their Own Feelings and Confessions
Disraeli, Isaac
Authors, English; James I, King of England, 1566-1625; Literature
But above all, what most offends, is that freedom of opinion which a man
of genius can no more divest himself of, than of the features of his face.
But what if this intractable obstinacy be only resistance of character?
Burns never could account to himself why, "though when he had a mind he
was pretty generally beloved, he could never get the art of commanding
respect," and imagined it was owing to his deficiency in what Sterne calls
"that understrapping virtue of discretion;" "I am so apt to a _lapsus
linguae_" says this honest sinner. Amidst the stupidity of a formal
circle, and the inanity of triflers, however such men may conceal their
impatience, one of them has forcibly described the reaction of this
suppressed feeling: "The force with which it burst out when the pressure
was taken off, gave the measure of the constraint which had been endured."
Erasmus, that learned and charming writer, who was blessed with the genius
which could enliven a folio, has well described himself, _sum natura
propensior ad jocos quam fortasse deceat_:--more constitutionally inclined
to pleasantry than, as he is pleased to add, perhaps became him. We know
in his intimacy with Sir Thomas More, that Erasmus was a most exhilarating
companion; yet in his intercourse with the great he was not fortunate. At
the first glance he saw through affectation and parade, his praise of
folly was too ironical, and his freedom carried with it no pleasantry for
those who knew not to prize a laughing sage.
In conversation the operations of the intellect with some are habitually
slow, but there will be found no difference between the result of
their perceptions and those of a quicker nature; and hence it is that
slow-minded men are not, as men of the world imagine, always the dullest.
NICOLLE said of a scintillant wit, "He vanquishes me in the drawing-room,
but surrenders to me at discretion on the stairs." Many a great wit has
thought the wit it was too late to speak, and many a great reasoner has
only reasoned when his opponent has disappeared. Conversation with such
men is a losing game; and it is often lamentable to observe how men of
genius are reduced to a state of helplessness from not commanding their
attention, while inferior intellects habitually are found to possess what
is called "a ready mind." For this reason some, as it were in despair,
have shut themselves up in silence. A lively Frenchman, in describing the
distinct sorts of conversation of his literary friends, among whom was Dr.
Franklin, energetically hits off that close observer and thinker, wary,
even in society, by noting down "the silence of the celebrated Franklin."
We learn from Cumberland that Lord Mansfield did not promote that
conversation which gave him any pains to carry on. He resorted to
society for simple relaxation, and could even find a pleasure in dulness
when accompanied with placidity. "It was a kind of cushion to his
understanding," observes the wit. CHAUCER, like LA FONTAINE, was more
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account