Literary Character of Men of Genius: Drawn from Their Own Feelings and ConfessionsDisraeli, Isaac
General
Literary Character of Men of Genius: Drawn from Their Own Feelings and Confessions
Disraeli, Isaac
Authors, English; James I, King of England, 1566-1625; Literature
The meditations of genius.--A work on the art of meditation not yet
produced.--Predisposing the mind.--Imagination awakens imagination.
--Generating feelings by music.--Slight habits.--Darkness and silence, by
suspending the exercise of our senses, increase the vivacity of our
conceptions.--The arts of memory.--Memory the foundation of genius.
--Inventions by several to preserve their own moral and literary
character.--And to assist their studies.--The meditations of genius depend
on habit.--Of the night-time.--A day of meditation should precede a day of
composition.--Works of magnitude from slight conceptions.--Of thoughts
never written.--The art of meditation exercised at all hours and places.
--Continuity of attention the source of philosophical discoveries.
--Stillness of meditation the first state of existence in genius.
A continuity of attention, a patient quietness of mind, forms one of the
characteristics of genius. To think, and to feel, constitute the two
grand divisions of men of genius--the men of reasoning and the men of
imagination. There is a thread in our thoughts, as there is a pulse in our
hearts; he who can hold the one, knows how to think; and he who can move
the other, knows how to feel.
A work on the art of meditation has not yet been produced; yet such a work
might prove of immense advantage to him who never happened to have more
than one solitary idea. The pursuit of a single principle has produced a
great system. Thus probably we owe ADAM SMITH to the French economists.
And a loose hint has conducted to a new discovery. Thus GIRARD, taking
advantage of an idea first started by Fenelon, produced his "Synonymes."
But while, in every manual art, every great workman improves on his
predecessor, of the art of the mind, notwithstanding the facility of
practice, and our incessant experience, millions are yet ignorant of the
first rudiments; and men of genius themselves are rarely acquainted with
the materials they are working on. Certain constituent principles of the
mind itself, which the study of metaphysics curiously developes, offer
many important regulations in this desirable art. We may even suspect,
since men of genius in the present age have confided to us the secrets of
their studies, that this art may be carried on by more obvious means than
at first would appear, and even by mechanical contrivances and practical
habits. A mind well organised may be regulated by a single contrivance, as
by a bit of lead we govern the fine machinery by which we track the flight
of time. Many secrets in this art of the mind yet remain as insulated
facts, which may hereafter enter into an experimental history.
Public-domain text, read in full here on John Shaqi.
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