Literary Character of Men of Genius: Drawn from Their Own Feelings and ConfessionsDisraeli, Isaac
General
Literary Character of Men of Genius: Drawn from Their Own Feelings and Confessions
Disraeli, Isaac
Authors, English; James I, King of England, 1566-1625; Literature
"The conversation of a poet," says Goldsmith, "is that of a man of sense,
while his actions are those of a fool." Genius, careless of the future,
and often absent in the present, avoids too deep a commingling in the
minor cares of life. Hence it becomes a victim to common fools and vulgar
villains. "I love my family's welfare, but I cannot be so foolish as to
make myself the slave to the minute affairs of a house," said MONTESQUIEU.
The story told of a man of learning is probably true, however ridiculous
it may appear. Deeply occupied in his library, one, rushing in, informed
him that the house was on fire: "Go to my wife--these matters belong to
her!" pettishly replied the interrupted student. BACON sat at one end of
his table wrapt in many a reverie, while at the other the creatures about
him were trafficking with his honour, and ruining his good name: "I am
better fitted for this," said that great man once, holding out a book,
"than for the life I have of late led. Nature has not fitted me for that;
knowing myself by inward calling to be fitter to hold a book than to play
a part."
BUFFON, who consumed his mornings in his old tower of Montbard, at the end
of his garden,[A] with all nature opening to him, formed all his ideas of
what was passing before him from the arts of a pliant Capuchin, and the
comments of a perruquier on the scandalous chronicle of the village. These
humble confidants he treated as children, but the children were commanding
the great man! YOUNG, whose satires give the very anatomy of human
foibles, was wholly governed by his housekeeper. She thought and acted for
him, which probably greatly assisted the "Night Thoughts," but his curate
exposed the domestic economy of a man of genius by a satirical novel. If I
am truly informed, in that gallery of satirical portraits in his "Love of
Fame," YOUNG has omitted one of the most striking--his OWN! While the
poet's eye was glancing from "earth to heaven," he totally overlooked the
lady whom he married, and who soon became the object of his contempt; and
not only his wife, but his only son, who when he returned home for the
vacation from Winchester school, was only admitted into the presence of
his poetical father on the first and the last day; and whose unhappy life
is attributed to this unnatural neglect:[B]--a lamentable domestic
catastrophe, which, I fear, has too frequently occurred amidst the ardour
and occupations of literary glory. Much, too much, of the tender
domesticity of life is violated by literary characters. All that lives
under their eye, all that should be guided by their hand, the recluse and
abstracted men of genius must leave to their own direction. But let it not
be forgotten, that, if such neglect others, they also neglect themselves,
and are deprived of those family enjoyments for which few men have warmer
sympathies. While the literary character burns with the ambition of
raising a great literary name, he is too often forbidden to taste of this
Public-domain text, read in full here on John Shaqi.
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