Literary Character of Men of Genius: Drawn from Their Own Feelings and ConfessionsDisraeli, Isaac
General
Literary Character of Men of Genius: Drawn from Their Own Feelings and Confessions
Disraeli, Isaac
Authors, English; James I, King of England, 1566-1625; Literature
The dealers in enormous speculative purchases are only subservient to the
spirit of the times. If they are the purveyors, they are also the
panders of public taste; and their vaunted patronage only extends to
popular subjects; while their urgent demands are sure to produce hasty
manufactures. A precious work on a recondite subject, which may have
consumed the life of its author, no bookseller can patronise; and whenever
such a work is published, the author has rarely survived the long season
of the public's neglect. While popular works, after some few years of
celebrity, have at length been discovered not worth the repairs nor the
renewal of their lease of fame, the neglected work of a nobler design
rises in value and rarity. The literary work which requires the greatest
skill and difficulty, and the longest labour, is not commercially valued
with that hasty, spurious novelty; for which the taste of the public is
craving, from the strength of its disease rather than of its appetite.
ROUSSEAU observed, that his musical opera, the work of five or six weeks,
brought him as much money as he had received for his "Emile," which had
cost him twenty years of meditation, and three years of composition. This
single fact represents a hundred. So fallacious are public opinion and the
patronage of booksellers!
Such, then, is the inadequate remuneration of a life devoted to
literature; and notwithstanding the more general interest excited by its
productions within the last century, it has not essentially altered their
situation in society; for who is deceived by the trivial exultation of the
gay sparkling scribbler who lately assured us that authors now dip their
pens in silver ink-standishes, and have a valet for an amanuensis?
Fashionable writers must necessarily get out of fashion; it is the
inevitable fate of the material and the manufacturer. An eleemosynary fund
can provide no permanent relief for the age and sorrows of the unhappy men
of science and literature; and an author may even have composed a work
which shall be read by the next generation as well as the present, and
still be left in a state even of pauperism. These victims perish in
silence! No one has attempted to suggest even a palliative for this great
evil; and when I asked the greatest genius of our age to propose some
relief for this general suffering, a sad and convulsive nod, a shrug that
sympathised with the misery of so many brothers, and an avowal that even
he could not invent one, was all that genius had to alleviate the forlorn
state of the literary character.[A]
[Footnote A: It was the late Sir WALTER SCOTT--if I could assign the
_date_ of this conversation, it would throw some light on what might be
then passing in his own mind.]
Public-domain text, read in full here on John Shaqi.
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