Literary Character of Men of Genius: Drawn from Their Own Feelings and ConfessionsDisraeli, Isaac
General
Literary Character of Men of Genius: Drawn from Their Own Feelings and Confessions
Disraeli, Isaac
Authors, English; James I, King of England, 1566-1625; Literature
[Footnote A: His stories of the wealth and population of China, which he
described as consisting of _millions_ obtained for him the nickname of
_Marco Milione_ among the Venetians and other small Italian states, who
were unable to comprehend the greatness of his truthful narratives of
Eastern travel. Upon his death-bed he was adjured by his friends to
retract his statements, which he indignantly refused. It was long after
ere his truthfulness was established by other travellers; the Venetian
populace gave his house the name _La Corte di Milioni_: and a vulgar
caricature of the great traveller was always introduced in their
carnivals, who was termed _Marco Milione_; and delighted them with the
most absurd stories, in, which everything was computed by millions.--ED.]
HARVEY, though his life was prolonged to his eightieth year, hardly lived
to see his great discovery of the circulation of the blood established: no
physician adopted it; and when at length it was received, one party
attempted to rob Harvey of the honour of the discovery, while another
asserted that it was so obvious, that they could only express their
astonishment that it had ever escaped observation. Incredulity and envy
are the evil spirits which have often dogged great inventors to their
tomb, and there only have vanished.--But I seem writing the "calamities of
authors," and have only begun the catalogue.
The reputation of a writer of taste is subject to more difficulties than
any other. Similar was the fate of the finest ode-writers in our poetry.
On their publication, the odes of COLLINS could find no readers; and those
of GRAY, though ushered into the reading world by the fashionable press of
Walpole, were condemned as failures. When RACINE produced his "Athalie,"
it was not at all relished: Boileau indeed declared that he understood
these matters better than the public, and prophesied that the public would
return to it: they did so; but it was sixty years afterwards; and Racine
died without suspecting that "Athalie" was his masterpiece. I have heard
one of our great poets regret that he had devoted so much of his life to
the cultivation of his art, which arose from a project made in the golden
vision of his youth: "at a time," said he, "when I thought that the
fountain could never be dried up."--"Your baggage will reach posterity,"
was observed.--"There is much to spare," was the answer.
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