Literary Character of Men of Genius: Drawn from Their Own Feelings and ConfessionsDisraeli, Isaac
General
Literary Character of Men of Genius: Drawn from Their Own Feelings and Confessions
Disraeli, Isaac
Authors, English; James I, King of England, 1566-1625; Literature
[Footnote A: See "Quarrels of Authors," p. 403, on the confederacy of
several wits against D'Avenant, a great genius; where I discovered that a
volume of poems, said "to be written by the author's friends," which had
hitherto been referred to as a volume of panegyrics, contains nothing but
irony and satire, which had escaped the discovery of so many transcribers
of title-pages, frequently miscalled literary historians.]
Genius contracts those peculiarities of which it is so loudly accused
in its solitary occupations--that loftiness of spirit, those quick
jealousies, those excessive affections and aversions which view everything
as it passes in its own ideal world, and rarely as it exists in the
mediocrity of reality. If this irritability of genius be a malady which
has raged even among philosophers, we must not be surprised at the
temperament of poets. These last have abandoned their country; they have
changed their name; they have punished themselves with exile in the rage
of their disorder. No! not poets only. DESCARTES sought in vain, even in
his secreted life, for a refuge for his genius; he thought himself
persecuted in France, he thought himself calumniated among strangers, and
he went and died in Sweden; and little did that man of genius think that
his countrymen would beg to have his ashes restored to them. Even the
reasoning HUME once proposed to change his name and his country; and I
believe did. The great poetical genius of our own times has openly
alienated himself from the land of his brothers. He becomes immortal in
the language of a people whom he would contemn.[A] Does he accept with
ingratitude the fame he loves more than life?
[Footnote A: I shall preserve a manuscript note of Lord BYRON on this
passage; not without a hope that we shall never receive from him the
genius of Italian poetry, otherwise than in the language of his "_father
land_"; an expressive term, which I adopted from the Dutch language some
years past, and which I have seen since sanctioned by the pens of Lord
Byron and of Mr. Southey.
His lordship has here observed, "It is not my fault that I am obliged to
write in English. If I understood my present language equally well, I
would write in it; but this will require ten years at least to form a
style: no tongue so easy to acquire a little of, or so difficult to master
thoroughly, as Italian." On the same page I find the following note: "What
was rumoured of me in that language? If true, I was unfit for England: if
false, England was unfit for me:--'There is a world elsewhere.' I have
never regretted for a moment that country, but often that I ever returned
to it at all."]
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